Nadia Lotfy retired from acting in 1993 and did not withdraw from life. She said of Ahmed Zaki: My resemblance

She has retired from acting since 1993 and not from art and life..and she resisted disease and ugliness as she resisted the enemy during the war

Nadia Lotfy in the last interview: I learned patience, not those who fear time and its actions, and I do not fear death

Ahmed Zaki resembles me, I concluded the curriculum Badri and moved away to preserve my dignity and art

It penetrated the Zionist siege, treated wounded soldiers, wiped hospital floors, and described art as a humanitarian armed force.

She passed away but did not leave..She surrendered to the judgment of God and surrendered her soul to her innocent but remained until her last breath a life-loving resistance to pain, reconciled with time and signs, she prides himself on her years of age as she gets older, because she spent most of these years doing what she loves, what she wants and is convinced of, given to art And for life, for the homeland, and for human beings is a model in resistance and creativity, resistance for the nation, resistance for art, resistance for life, reconciliation with the soul, and clarity in situations … This is how the beautiful Nadia Lotfi, who left her body to live in her art, struggle and spirit, lived as a model for the love of art, homeland and life.

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The beautiful late departed Nadia Lotfy On art and acting since she presented her last artistic work, which is the series “Nass Walad Nas in 1993” .. She retired from art and despite this she did not isolate from the audience and did not isolate life, and she remained throughout these years continuous communication with her fans and colleagues and the issues of her country, for years she resisted disease, as she resisted Before that, the enemy of the homeland had a prominent and prominent role in national and national issues and in resisting the Zionist enemy.-

She lived throughout her life in the spirit of a rebellious militant over all the causes of weakness, resisted the descending art, and resisted the disease that made her spend most of the last period of her life in the hospital, but no matter how severe it was, it did not weaken her strength and will and her eagerness to communicate with people.

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Nadia Lotfy, who is reconciled with time, summarized her view of the disease in words she wrote two years ago while she lay in the hospital in the future of the new year, in which she expressed a part of her resistance and love for life and presented a model of contentment, patience, strength, and determination as she said: “I write these words and the new year on the way to the world, prepare for her.” With the remaining years of my life, I tell her to enter and take what I want from my life, as I used to celebrate the beginning of each year with the New Year and also on my birthday corresponding to January 3, I write from my hospital room, where I am being treated, but with the harshness of pain I practice my life as I want and love and want, people meet And I do not run away from them to advance In age, I am not one who is afraid of time or his actions, I admit that I am not in the form and image that the public used to see, but the age has added to me many experiences and experiences, the first of which is the depth of dealings, wisdom and future vision, and now I am a beautiful woman of thought who has freedom of spirit, will and choice ».

Thus she lived and died beautiful women rebel against all causes of weakness, strong in front of all pain, resistance to all kinds of ugliness, and a lover of art, life and beauty.

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Nadia Lotfy bears the qualities of Saint Louis the pure in her wonderful movie Al-Nasser Salah Al-Din whose heart is known only for love and peace, so the wounded are treated and the pain is relieved, and Suhair’s “innocence” paper in the film of sins, and with the same ability to creativity and dazzling, turns into a “flirt” of the playful night girl who can The acquisition of the heart and mind of «Si El Sayed and his son Yassin in the wonderful Naguib Mahfouz« Qasr Al Shouq », you feel as if you can adapt their features and feelings, and turn between each role and its opposite, so who looks at the face of“ Louisa ”does not believe that he is the same as the face of“ Zenobah ”in Qasr Al Shouq, And who sees “material” in the black glasses, and “rayry” in quail and autumn “wondering h N see the features of «Accessories» in the film The Mummy.

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The late militant Nadia Lotfy was born in Abdin district and her real name is Bola Muhammad Mustafa Shafiq, and she obtained a diploma in the German School in 1955, and her father was an accountant who loves art and cinema, and the director Ramses Naguib discovered her, and chose her name “Nadia Lotfy”, a quotation from Faten Pigeon Nadia in “I do not sleep” by Ihsan Abdel-Quddous, and presented her first work in cinema in 1958 through the movie “Sultan”, after which she embarked on a journey of artistic and cinematic brilliance.

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Nadia Lotfy was not just an artist with a huge balance of creativity and artistic glow that made her the common denominator and the password in the success of a number of the greatest films of Egyptian cinema, as she acquires a large number of the 100 greatest films in the cinema, including «Mummy, Nasser Salah El Din, Sins, Abi Above the tree, the impossible, the quail and the fall .. and others », but it is a human condition and a model of life, struggle, patriotism and heroism that goes far beyond being a creative artist, which made her sit on the throne of hearts despite being away from acting since she presented her last artwork in 1993« Nass Waad Nass series » On television, and the Legitimate Father’s film in the cinema in 1988.

The beautiful artist has a huge balance of national positions that is no less than her artistic creativity, as she was completely convinced of the national and national role of the artist, so she carried throughout her life a patriotic and national message as well as her artistic message and acquired many of the attributes of warrior soldiers, who do not know to surrender, where she stood a lot next to Soldiers on the front in the war of attrition and during the October war and organized visits during the war of attrition to the front in which artists and writers were gathered, including Fatin Abdel Wahab, Fouad Al-Muhandis and George their master, Naguib Mahfouz, Youssef El-Sebaei and Youssef Idris, and learned how to tame the pain when collecting testimonies of the injured heroes Yen in the October War during the movie “The Armies of the Sun” with the director Shadi Abdel Salam. Nadia Lutfi was also part of the volunteer team in nursing work at Maadi Military Hospital during the October 73 war, and even participated in cleaning and surveying the hospital floor where the sick were sick.

Jamila Al-Jamilaat used to defeat fear when she penetrated the Israeli siege of Beirut in 1982, and she said at the time: “Ready,“ I go into walls and fire, not a siege. ”

The Palestinian poet Ezz Al-Din Al-Manasra said about her: Nadia Lotfy was a brave woman when she visited us during the Beirut siege in 1982, and she remained throughout the siege until she went with us in the Greek Mediterranean ship to the Syrian port of Tartous, the positions that gave her more strength and ability to resist and look at art As a form of jihad and struggle in the face of deterioration and ugliness.

The great actress Nadia Lotfy was also known for her supportive stances with all of her fellow artists, including artist Zaki Fateen Abdel Wahab, who was afflicted with cancer and stated on more than one occasion the role of artist Nadia Lotfy in his support despite her ordeal with the disease, saying: “Nadia Lotfy from others, I could not do any need, I felt very hard I missed my mother, and she had confidence that I would be cured of this disease, and she was talking to me about how she resisted the disease she had and she had a great urgency in following up the procedures in a proper way and following up the analyzes and the appointments of doctors and sessions, she was not able to fulfill all of the work she did with me and I do not know I want her to be beautiful “.

In the last dialogue we had with the struggling heroine, and despite her poor health, she still had the same strength and resistance and militant spirit, and carried a flood of optimism, strength, and a range of hope and love of life.

Nadia Lotfy talked during the dialogue about her ability to adapt her features and her performance in her various roles between the saint and the playful or reckless girl, saying: “A capable actor can adapt his tools, and in this way he can present different personalities, and this is what I did in my various films, Nasser Salahuddin, black glasses, sins , Gentlemen, men, mummy, quail and autumn, and others, and I see that the closest artist to the same methodology and performance of the actor is the late Ahmed Zaki ».

The lack of television and theatrical works, which were limited to one series entitled “People of People of People” in 1993, and a play with a lamp of mug in the beginning of the seventies, explained: I am not a girl in television, and I presented this experience as a kind of diversity and this also applies to my only experience in the theater, because I adore The cinema, and I benefited from knowledge and experience from my experiences in theater and television, added to me in the cinema.

We talked with her and we have a confused question on our mind, so how can cinema lovers steer clear of them throughout this period despite their ability to give, and her answer came laughing and said: “I am one of the actors who concluded the curriculum quickly, and I had no readiness to repeat years and previous models that I presented, and I had a streak in the rise of the film industry. And the drama, and presented new experiences in industry and drama, including the impossible movie by Dr. Mustafa Mahmoud, the movie Mummy, the barrier, and Nasser Salah al-Din ».

She explained: «When the cinematography began to decline and there was a retreat in the drama, I decided to preserve my dignity and art, so I should have stopped, because my respect for my art exceeds my love and passion for working in cinema.»

She added, “There was a kind of disorganization, and the first decade got lost, and there was no longer a form of cinema, so I decided to stay away.” And so she always says about herself: “I don’t like half-solutions.”

Nadia Lotfi did not turn away from acting because of fear of the effects of time or age as other artists, and therefore she was not absent from her fans and her fans, and did not hide behind the years of life that increased beauty, confidence and strength, and from that she says: “My age has not put beauty in my evaluation of myself, I worked on the mind, and I practice my life as I want, because escaping from disease and aging weakens the human being, and now I am a beautiful woman, I have freedom of spirit, will and choice. ”

During this dialogue, Nadia Lotfi summarized her view of cinema and art, saying: “Art is no less effective and effective than the army. Just as there are armed armed forces, art is considered a humanitarian and social armed force, but it has gone through a setback period.”

Her outlook was not without optimism, as she said: “The two days are countries that have started the graph of the drama above a bit in dialogue, form and content, and the tone of incitement to violence has diminished, and I hope that this trend will continue and be completed.”

Summarizing all the meanings of patriotism, love and contentment, she said: “Life is a true reflection of the love of the country and the sanctification of its soil. The oxygen of life without suffocation, and patience is the most learned thing from the world.

The late beauty combined the strength of the warrior and the paper of the Sufi worshiper in the niche of art. She said: “Fine art reaches Sufism. Art is inclusiveness and life, history, geography, benevolence and experience, and the river of art pours in it all human elements.”

Nadia Lotfy was able for many years to tame the pain, and despite the fact that in the last period of her life she spent in the hospital more periods than the time she spent in her home and had previously exposed her heart to pause, she spoke vigorously about pain and disease, saying: Pain in itself gains a lot of things The most important of which is patience, and pain makes a person poisonous and spiritual.

Despite her retirement from art and acting, she did not retire from people and life and remained until the last moments of her life confirming that she does not suffer from loneliness because her time is always busy with loved ones and reading, and she can, as she said about herself, feel familiarity and love even with inanimate objects.

The health condition of the struggling beautiful woman deteriorated and was transferred to intensive care more than once after her grief over the death of a companion of the age of artist Magda Al-Sabahi and her mourning, saying that she is greatly saddened by the separation of her sister at work, and before that she was saddened by the death of her only son’s wife.

Despite her persistent pain and the deterioration of her health, the beautiful militant did not know the fear even of death and said about him: “Now I record my impressions of the days, and my heart does not know fear, so I never set myself red-handed with fear, until fear of disease or death, and I fully realize that death is a right for us Why should I exhaust myself with death while I’m alive? I laugh, laugh and love.

The beautiful went away, but did not go away, as her fighting militant spirit remains the creative model inspiring love of art, homeland and life .. God’s mercy, the beautiful militant Nadia Lotfy.

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