Nurse Hana Kučerová, accused of dying patients, was played by Klára Melíšková. And she played her great. Her eternally withdrawn mouth, without a hint of a smile, austerity in dealing with anyone, and only her eyes revealed what might be going on inside. There was relief in hearing the acquittal in court, a desire to agree with her daughter, a thank you to the lawyer.
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Denisa Barešová was an equal partner to her in the role of her daughter. She longed for her mother’s arms and understanding, but in the end she sought a normal life with her friend’s family. One of the last scenes, after which Hana Kučerová cries, tells us how they pass. But in his bedroom, without witnesses. Same.
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The ex officio lawyer filed by Miroslav Hanuš was seemingly distracted, yet very precise in his search for the truth. It basically replaced the work of the police. And that is exactly what the scenario could be criticized for.
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In the first part, the investigators will enter the field, but they will miss the evidence, which will then happen to be discovered by a lawyer. Like a dolzin glass in Sister Kučerová’s cupboard. Then the viewer can hardly see them at all.
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And the final scene with the empty beds and flashing monitors in the intensive care unit was a little unnecessary. Plus, not entirely understandable.
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But these are just trifles. The Suspicion miniseries followed up on successful Czech Television series, such as The Defender. She showed several problems. The condemnation of the company, which is clear about who is to blame, was clearly summed up by the director of the hospital, where Hana Kučerová went to ask the work after the court, when he said:
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She also showed the role and merit of the approach of the media, prosecutors, eyewitnesses in the external image.
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| Suspicion |
| Czech television. Director: Michal Blaško, screenplay: Štěpán Hulík, starring: Klára Melíšková, Denisa Barešová, Miroslav Hanuš, Ivan Trojan, Jelizaveta Maximová, Petr Lněnička and others |
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