In the mid-1950s, the terrific writer Naguib Mahfouz ascended to the chair of censorship on artistic is effective, and was entrusted with the task of analyzing the last posture on thorny political challenges, shifting under the roof of the point out, and the query was not without having a scorching scene or a kiss, the censor is the (thermometer) of lifestyle, his individual openness and his beliefs The mental and his personal taste participate in a part in orienting the compass toward admissibility or prohibition, but his influence stays secondary.
The hero purpose he performs for society, and the extent to which he accepts or disapproves. For illustration, Naguib Mahfouz was not ashamed to announce his approval for all but one particular kind of kiss, those people on the neck, specially if they were on display for far more than seconds. In a push job interview performed by Jamil al-Bagoury, he asked him: “Is it about the monitor, and about truth? What would you do as Naguib Mahfouz if you observed a younger guy and a female stealing a kiss on the street? He replied: (He done and walked more than to the other facet, and smiled and explained, “Assure us, O Lord.”)
The late director Tawfiq Saleh (buddy of Mahfouz and founding member of “Al-Harafish”) instructed me that the expression “clean cinema” is not new these times, but it is incredibly outdated. A score of ten centered on his motivation to good morale. Bir’ad Sadaqaty additional to Naguib Mahfouz: On the other hand, he deleted a scene for me from the documentary film “The Owl.” He viewed the film and listened to his voice crackling with laughter, then he canceled the scene!
Naguib Mahfouz was interfering in distinct and scarce cases by deleting, he himself referred in additional than 1 press job interview to Hassan Al-Imam’s 1957 movie “Ighraa”, when he questioned as a censor to re-document the tune Sabah (from magic of your eyes, Ya), which was created by Mamoun Al-Shennawy and composed by Mohamed Abdel Wahab owing to (Yaaaaaaaah), which took extended than it ought to, and our good writer found that stretching right here has sensory indicating, so he repeated the morning of the recording to shorten it to a limited (Ahh) !!.
The peculiar thing is that Egyptian radio typically capabilities a concert for Sabah, and it has done, oh, oh, for so extended, even longer than Naguib Mahfouz protested!
The masses sympathized with Souad Hosni in (Khali Balak da Zozo) in the calendar year 72, as she dances in location of her mom (Naima Almaziya) Tahia Karioka, even though the local community deplored the posture of Omar Sharif about 10 decades right before her when she heard the his wickedness later denied the physique of (Nafisa) his prostitute sister Sana Jamil .. In the very first movie, Hassan Al-Imam desired to raise the price of the confrontation. In the second, Salah Abu Seif required to unmask the complicity of society. music on Egyptian radio are puzzled by the state in between admissibility and avoidance, these as the tune Abdel Halim (the first time) by Ismail Al-Habrouk and Munir Murad, In the clip (Much less my lips, Shayla your phrases / Shaila, the emirate of your adore for him) also the music by Soad Hosni (The globe is spring and the atmosphere is negative) by Salah Jahin and Kamal Al-Taweel (Bossa and we close and hey / We pull right until darkish, Bambi). The dilemma is not settled, in some cases the whole tune is presented and many others use the tape right after refinement.
All for the kiss that Umm Kulthum sang to her in the film (Salama) by Togo Mizrahi (The kiss if he is keen / Circles that on the cheek / He can take it as an alternative of a thousand / And there is no blame to people today), you have seen more braveness than the just one composed by Bayram Al-Tunis? And was it composed by Sheikh Zakaria Ahmed about 80 several years back ?!
Do we communicate on the sixteenth anniversary of Naguib Mahfouz about his admissibility of kissing when he was a censor, or do we offer with what is farther and deeper? .. Is it ok to get started with the kiss, creative imagination leans on a value in culture that thinks in independence and does not decide literature or art with an ethical standpoint, these kinds of as was the a single that was carried out by Naguib Mahfouz, a censor and a creator.
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