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The director’s cut or the dichotomy of cinema

The double character of art and film industry must be accepted as Catholics do with the Holy Trinity: although it seems contradictory, it is the basis of their dogma and each of its parts must be understood. Although in the case of cinema there may be devotees (or moviegoers, rather), who only believe in one thing and exclude the other. Hence, there are those who enjoy commercial and entertainment cinema, but despise art or auteur cinema, and vice versa.

That is the origin of another dichotomy that …

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