The American Society of Magical Negroes: A Satirical Movie Review
Introduction
“The American Society of Magical Negroes” is a satirical movie that captivates audiences with its provocative title and premise. Written and directed by Kobi Libii, this film delves into the portrayal of Black people in white-dominated media and explores the concept of the “magical negro” in storytelling.
The Satirical Commentary
At the heart of “The American Society of Magical Negroes” lies a powerful social commentary. Like its predecessor, “American Fiction,” the movie challenges the portrayal of Black characters solely serving the narratives of white protagonists. Libii’s film takes on this concept by satirically reproducing the same stereotypes it criticizes.
Uneven Execution
While the movie starts and ends strongly, the execution in between falls short. The satirical punch loses its impact, diluting the overall message. For first-time director Kobi Libii, “The American Society of Magical Negroes” serves as a captivating introduction, but it fails to satisfy on a deeper level.
The Magical Negro Concept
“The American Society of Magical Negroes” explores the way Black people are perceived in a white-dominated society. The term “magical negro” refers to a Black supporting character whose sole purpose is to advance the white protagonist’s storyline. This concept, frequently utilized in various forms of media, is a point of concern and discussion.
Captivating Beginning
The film introduces Aren, a struggling artist, who is recruited by Roger, an existing member of the secret society. David Alan Grier delivers a powerful performance, making Roger the strongest asset of the movie. As Aren navigates his feelings towards white individuals at an art-gallery event, the society aims to provide “client services” to white people, ensuring their emotional comfort while acknowledging the enduring danger faced by Black individuals.
An Assignment of Conflicting Emotions
Aren’s mission quickly leads him to become the supportive friend of Jason, an employee at a Facebook-like social-media firm. Drew Tarver’s character, who wishes to climb the company’s ranks and develops a crush on coworker Lizzie, triggers conflicted feelings within Aren. The movie delves into his struggle to fulfill his assigned duties.
A Flat Execution
Throughout the film, while aiming for natural and relaxed performances, the interactions and character development lack depth. Although Justice Smith, known for his roles in fantastical situations, handles the role well, the character and its romantic-comedy element remain underdeveloped for a significant portion of the movie.
A Thought-Provoking Ending
The movie’s ending attempts to redeem its shortcomings, but falls somewhat short. While timely and timeless in its examination of the relegation of people of color to secondary roles, the ending is not enough to wholeheartedly endorse “The American Society of Magical Negroes” as a remarkable theatrical experience.
Director’s Achievement
Kobi Libii, primarily known as an actor, succeeds in bringing his ambitious project to fruition. The fact that a new director was able to create “The American Society of Magical Negroes” is a commendable achievement. However, the film also showcases the necessity of a skilled and delicate touch to master satirical storytelling.
Conclusion
“The American Society of Magical Negroes” engages audiences with its provocative premise and satirical examination of Black portrayal in media. While it falters in its execution and character development, the movie sparks important conversations and sheds light on the systemic issues within the entertainment industry.
Article Source
CNN
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