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Raven Song: A Groundbreaking Film Showcasing Saudi Arabia’s Promising Directors

An additional Saudi station that emphasizes a generation of promising film directors with different, special and qualitative films.

Muhammad Al-Salman proved this in his new tape: Raven Song – in 109 minutes, completely far from the atmosphere of traditional films, because, in a special and precise style of formulation, he presented a model that combines seriousness and comedy, starting from the brain of a man who needs urgent surgery, and he refuses, considering that he is fine, but what… His suffering has nothing to do with his brain, at a time when the doctor appears several times calling on him to perform the operation, until he calms down, and the reason is his desire to keep the image of a stunningly beautiful woman he encounters, named Hadeel – Katerina Katachenko – in his memory, declaring decisively that all pain and disease symptoms have disappeared from him simply because This beautiful face beautified a sweeter and happier life for him, imagining that this passing person appeared for him and thus he became healthy and healthy by her presence.

This aspect of the idea indicates the specificity of dealing with the brains of men who are, first and foremost, emotional patients who lack desires and feelings of love for beautiful women, and with the appearance of any image of them, their lives are turned upside down, and each individual no longer has other needs. Rather, all his pains disappear and are no longer important because he has them. What he seeks and what he lacks, and therefore he is in a state of absolute self-sufficiency.

The operation takes place and the patient, Nasser – Ibrahim Al-Awwad – is the happiest with it. Entering his brain has opened the way for him to see Hadeel clearly and with a magnified image, which is the joy of the eye and the delight of the heart. While those around Nasser are in a state of anxiety, they are in a valley and he is on another planet whose name is: Hadeel.

The tape was produced by Muhammad Al-Gharawi and Ahmed Moussa. He played his most prominent roles with Assem Al-Awwad: Ibrahim Al-Khairallah, Abdullah Al-Jafal, Shadibu, Wael Al-Nahal, Abdulaziz Al-Mubaddal, Fatima Al-Sharif, Ibrahim Al-Haisawi, Badr Abu Hamil, and Nawaf Al-Muhanna.

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