Film-Café of the CINEWORLD Mainfrankenpark presents the last part of the GDR trilogy “Leander Haußmann’s Stasi Comedy”
It is a film about the good guys and the bad guys and above all about everyone in between, a coming-of-age story about love and friendship, a reckoning with the GDR past, but also a mirror to the present.
CINEWORLD Mainfrankenpark is presenting the deliciously cheeky film “Leander Haussmann’s Stasi Comedy” on Thursday, June 30th in its Film-Café. It starts at 3 p.m. with delicious specialties from the cake and torte manufacturer “Tortenglück” from Westheim. The cinema team also serves aromatic coffee. The film starts at 4 p.m.
After “Sonnenallee” (1999) and NVA (2004), the award-winning director and screenwriter Leander Haußmann is now completing his GDR trilogy with “Leander Haußmann’s Stasi Comedy”. In addition to David Kross (“The Reader”) and Jörg Schüttauf (“Forward Always”), it brings together Margarita Broich (“GORGEOUS Times”), Antonia Bill (“The World Stands Still”), Tom Schilling (“Oh Boy”), Alexander Scheer (“Gundermann”) and Detlev Buck (“We can’t help it”) an impressive ensemble in front of the camera.
Maps for exact locations on the Internet at www.cineworld-main.de. A box office is also open in CINEWORLD. Current information is also available on Facebook and Instagram (@cineworld.mainfrankenpark).
Content “Leander Haussmann’s Stasi Comedy”
Berlin, today: Ludger Fuchs proudly presents his thick Stasi file, which he has just picked up from the records office, to the assembled family. The Stasi documented and commented on everything: his apartment, his cat, even scenes with his wife Corinna (Margarita Broich) in their marriage bed. But then: “What’s that?!”-: A torn and taped letter, very detailed, very intimate. Well, it certainly wasn’t from Corinna, and now she wants to know for sure. Ludger dismisses it: “That was long before your time.” But it’s useless, the Stasi documented everything in detail. Angry, Ludger packs up his files and flees the marital dispute, which has meanwhile become serious and loud. In front of the house he lights a cigarette and thoughtfully blows the smoke into the sun. And he remembers the young man (David Kross) whom the Stasi once recruited to delve into Prenzlauer Berg’s bohemian scene, scout it out and stir it up. And how he immediately liked life there: the freedom, the friendships, the women… that he soon forgot his assignment…
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