Today marks the 71st anniversary of the screening of the movie “The Master is Good” in Egypt. The film, which was shown on June 23, 1952, starred renowned actors Farid Shawqi, Hoda Sultan, Rushdie Abaza, Hussein Riad Thuraya Salem, and Zozo Madi. It was written by Farid Shawqi and Al-Sayyid Badir, and directed by Salah Abu Seif.
“The Master is Good” tells the story of Al-Usta “Hassan,” a worker in an iron turning workshop. Hassan is dissatisfied with his life, despite having a loving wife and child. He encounters a woman from high society who becomes infatuated with him and takes him away from his workshop, hoping to turn him into a successful businessman. However, in the end, Hassan returns to his workshop and his wife.
One of the notable aspects of the film is the portrayal of a character by Hussein Riad, who played an old man confined to a wheelchair. Riad spent most of the filming hours in a wheelchair, and one day, he experienced temporary paralysis due to the strain. This caused a temporary halt in the filming process until doctors found a solution and helped Riad recover.
“The Master is Good” remains a significant film in Egyptian cinema history, showcasing the talents of its cast and crew. As we commemorate its 71st anniversary, let us remember the impact it had on the industry and the enduring legacy it left behind.
What lasting impact did “The Master is Good” have on Egyptian cinema and its portrayal of storytelling
Today, we celebrate a remarkable milestone in Egyptian cinema history – the 71st anniversary of the screening of the iconic film, “The Master is Good.” Released on June 23, 1952, this cinematic masterpiece featured a star-studded cast including the legendary actors Farid Shawqi, Hoda Sultan, Rushdie Abaza, Hussein Riad Thuraya Salem, and Zozo Madi. With a script co-written by Farid Shawqi and Al-Sayyid Badir, and masterfully directed by Salah Abu Seif, this film captivated audiences with its compelling narrative.
“The Master is Good” revolves around the life of Al-Usta “Hassan,” a hardworking laborer in an iron turning workshop. Despite having a loving wife and child, Hassan finds himself discontented with his existence. One day, he encounters a woman from high society who becomes infatuated with him and entices him away from his workshop, hoping to transform him into a prosperous businessman. However, ultimately, Hassan realizes the true value of his life and returns to his humble workshop and faithful wife.
One of the most notable aspects of this film is the portrayal of a character by Hussein Riad, who brilliantly played an elderly man confined to a wheelchair. Riad’s commitment to the role was so intense that he spent countless hours in the wheelchair during filming. However, during one particularly strenuous day, he experienced temporary paralysis, halting the production. Thanks to the swift intervention of doctors, Riad recovered, and filming resumed.
Today, as we commemorate the 71st anniversary of “The Master is Good,” let us reflect on its profound impact on Egyptian cinema. This timeless masterpiece showcased the immense talent of its cast and crew, leaving an indelible mark on the industry. Its enduring legacy reminds us of the power of storytelling and the vital role that cinema plays in shaping culture and society.
“An absolute masterpiece that continues to captivate audiences even after 71 years. ‘The Master is Good’ set a new standard in filmmaking with its compelling storytelling, unforgettable characters, and timeless messages. A true classic that deserves its place in cinema history.”
“The Master is Good: a timeless masterpiece that has left an indelible mark on cinema. 71 years on, its brilliance continues to captivate audiences, showcasing the undeniable genius of its creators.”