and will remain Soad Hosni Cinderella of the Arab screen, after which no one will come, which allowed her to present all her roles in many of her films and others that she presented in Egyptian cinema, where she presented many Egyptian cinemas, all beautiful films in the era of prosperity of Egyptian cinema.
But despite the large number of her films, she was not spared from criticism for her daring and in-between scenes with the artist. Rushdi Abaza.
Where Rushdi Abaza loved her very much, not to the point of madness, and in some scenes, Rushdi Abaza sat on her neck and started moaning for her and confessing his love for her in front of everyone.
This situation repeated more than once, but Souad Hosni knew Rushdi Abaza well, as he loved women and had relationships with them, so he didn’t take the situation seriously.
