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Wang Kai: Song Yunhui and the Legacy of Dajiang Dahe

Original title: “Dajiang Dahe”, three series launched in seven years, reaches its final chapter (title)

Wang Kai: Song Yunhui has the resilience endowed by the times (theme)

Beijing Youth Daily reporter Yang Wenjie

From 2018 to 2024, “Dajiang Dahe” ushered in its final chapter; from the age of 18 to 40, Wang Kai immersed himself three times in shaping Song Yunhui, the epitome of a reform and opening up struggler, satisfying the desire of countless audiences to “accompany” them as they grew up. Psychological sustenance. Wang Kai can finally “talk about” what he considers Song Yunhui’s extraordinary trilogy – “In each of them, Song Yunhui makes up for his own shortcomings.”

In Wang Kai’s view, in the first “Dajiangdahe”, when Song Yunhui first entered the factory, he worked hard and one person could do the work of many people, regardless of what others did; in the second movie, when he came to Donghai Factory, “The master taught him to be like the light, and he gradually understood that many things require the unity of everyone’s strength. Slowly he learned how to manage people.” As for the currently airing “Dajiang Dahe: Cantabile”, Song Yunhui, who came to Pengyang Factory, has completely broken away from his major, but at this time he has exercised his leadership skills and cohesion… “All the experiences have made him I became more and more perfect and mature, and finally became the factory director of Donghai. I need to be professional and have leadership skills, and be able to recognize and employ people.”

At the end of “Dajiang Dahe 2”, Song Yunhui was forced to leave “Donghai Factory”. This ending made the audience uneasy and it can be said to whet the appetite. However, the tragic situation when he hit “rock bottom” far exceeded the audience’s expectations: Being implicated in the poisoning incident of Pengyang Pesticide Factory products, Song Yunhui was first taken away by the police, and then his forehead was broken with a wine bottle by the victim’s family. The miserable situation is in sharp contrast to before. In this regard, Wang Kai revealed, “Actually, the director’s request to me at the beginning was to let everyone see a relatively miserable Song Yunhui at the beginning, so everyone saw it, but he was a little bit shabby, unlike when he was in Donghai before. So high-spirited. This is also to make the growth arc of this character more obvious. From the abjection at the beginning, to a series of things happening in the later period, everyone feels that Song Yunhui is not easy.”

“From Donghai to Pengyang, the audience will feel that Song Yunhui has not been smooth all the way, but slowly as the plot progresses, this character is also growing.” In Wang Kai’s view, Song Yunhui’s growth in “Dajiang Dahe 3” It is not reflected in professionalism, “After being polished in the East China Sea project in the second part, Song Yunhui has become more calm, knows how to advance and retreat, has a sense of responsibility, and has become more responsible. This part focuses on showing Song Yunhui’s leadership and cohesion, As well as his vision, structure, and courage.” As for the “unchanged” core of Song Yunhui’s three films, Wang Kai believes: “What remains unchanged has always been his sense of responsibility and responsibility, as well as his tenacity. Wherever he goes They can solve some very difficult problems.”

In “The Rivers of Time”, not only Song Yunhui, but also Lei Dongbao and Yang Xun also ushered in new career challenges and emotional chapters. Wang Kai believes that the common goal of the three characters Song Yunhui, Lei Dongbao, and Yang Xun in the “Big River” series is to convey to the audience the spirit of hard work and struggle. “In that era of scarcity, everyone worked hard to accomplish one thing.” , there is no way to think of a solution, no conditions to create conditions, gritting one’s teeth, insisting on doing something, that kind of spirit is worth learning from people today.” As an actor, Wang Kai lamented the greatest luck, This is a way to record and pay tribute to our fathers.

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