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“The Song That Haunts: The Story Behind ‘Call Me, Call Me’ and Irina Muravyova’s Subway Trauma”

Going down the subway was dangerous.

41 years ago, the movie “Carnival” was released. 30-year-old Irina Muravyova brilliantly played yesterday’s schoolgirl, and the song “Call me, call” became the main Soviet hit for many years. With him, the artist, one might say, has her own scores.

Composer Maxim Dunayevsky rewrote the music for this composition at least 20 times. The final version, as originally agreed, was to be sung by Muravyova. At the last moment, a professional singer Zhanna Rozhdestvenskaya was invited instead. However, the singer was not even listed in the credits.

Two years after the release of the film, Muravyova released her own version of the song, but in the movie the audience saw Muravyova and thought that it was she who sang. Because of this, the actress experienced many embarrassing and embarrassing, according to her, moments in public places. “I was ready to fall through the ground when men recognized me in the subway or on the bus and began to sing with a smile:“ Call me, call me ”,” the artist recalled.

Over the years, she has come to terms with the fact that the song follows her, and has learned to treat it philosophically. As a result, people see a screen image, not a living person. Blaming them for liking him is just stupid.

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