Symphonies 17 and 18 by composer Jānis Ivanovs are posted in the album / Post

“Each symphonies have been composed at a time when, using memories and reflections, the composer was seeking for harmony, peace and balance,” defined Skani.

The Seventeenth Symphony, composed in 1976, with its slow motion, is a testomony to the new romanticism in Ivanov’s function. The album description states: “This is the new, which, commencing with the 14th symphony, rests on properly-proven neoclassical structures. The new romanticism also will take something of the aged beneath its wing. Pure timbres emerge from the orchestral and Ivanov doublings. enjoys the English horn, bass clarinets – instruments with a mysterious and darkish timbre. As an alternative of the piano vital for the time period of the 60s, the harp returns – the same one that was in the very first scores. symphony the hues of an orchestra near to Sibelius, but, as the musicologist Mārtiņš Boiko admits, New Romanticism in its most characteristic forms is unveiled as an artwork that observes, displays the passionate tradition that is devoted to it, dialogues with it , but he does not identify with it, he does not agree with it, he is informed of his secondness to it, he understands the impossibility of figuring out himself The symphony starts and ends with an enlightened Domažor – like an island of peace (or respite) of the soul “.

In 1977, when the Soviet Union was getting ready for the sixtieth anniversary of the Good Oct Socialist Revolution, the most titled and awarded cultural workers experienced to invent their have resourceful items. The album description points out: “Ivanov’s tribute is his Eighteenth Symphony (1977). The composer has normally averted verbally presenting his musical thoughts. But this time, in a newspaper job interview about the premiere, claims: “I don’t forget the horrible Terrific Patriotic War. Are numerous of individuals young persons who went to the front in 1941 still alive? “The sluggish movement of the eighteenth century (Andante tenebroso) leaves an psychological imprint. It is like a mild elegiac requiem, a tale of memories informed calmly and in element. elegy is contrasted by a march, purely military metrorhythm, energetic and skilful gestures. Increased job for wind devices. Trumpets usually stand out as leaders with their calls and indicators. Dodecaphonic themes, dissonance, polythematism saturated with chromatisms – this is now become a recognizable language of Ivanov’s seems because the 1960s. In the track record, mainly because the luminous factor of unpredicted diatonic motifs stands out. For instance, the central motif of the next movement and the closing chorus, which kind an arc. to the 18th symphony of Jānis Ivanov, the famed composer Imants Zemzaris attracts a immediate parallel concerning his piece and the themes of the Second Earth War and mentions that the major symphonies of the the heroes could be the younger Latvian troopers of the time: “About the 1960s In the 1990 picture, Ivanov can be viewed browsing the military unit, in which his son Igor (pianist, musicologist, seem director for Radio) is now in cost of the assistance. The respected master of sound is captured surrounded by glittering youthful troopers. Smiles, drive, admiration, friendliness. There is a symphony about them, these younger persons! “

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