The ministry of national Education and the group Centre France, which are part The Echo Republican, The Republic of the Centre and The Republican Berrywork together to offer content of a quality in line with the school curriculum.
These contents fall within the framework of the operation “Nation learning” to extend the school to the home, in the family. The rector of the academy of Orleans-Tours and your journal work hand in hand to provide you with publications related to the school curriculum.
Each Sunday, a full page appears in our columns to allow students to continue to learn while remaining at home.
The tenth part of this transaction, this Sunday, June 14, is devoted to the visual arts.
These exercises are proposed by Alain Murschel, IA-IPR of fine arts from the Academy of Orléans-Tours.
Operation Nation learning : ninth strand on unfair competition
And the containment of arts ?
Level college, high school.
1) Connect the works to periods corresponding :
- Antonello da MESSINA, Saint Jerome in his study. 1475
- Joseph BEUYS, I like America and America Likes me, 1974
- Abraham POINCHEVAL, (In) the skin of the bear. 2014
- End-of-the-art modern
- The Renaissance
- The Art (era) contemporary(e)
2) Complete the text using the list of the following words :
Beuys / body / composition / space / space-box / Messina / painting / painting / performance / Poincheval / time / viewer / meaning / viewer
The ………………. of ………………. invites the ………………. to enter the’………………. through an opening that frames the scene in which Saint Jerome throne, alone and peacefully, in the center of the ………………. and a ………………. that acts as a screen to a depth suggested of hand and on the other by windows. Birds are watching the scene, also a coyote plays a scene of a bear and offers a stage : all animals coexist with the man confined in the ………………. and suspended ………………. confined. Taming tested and implemented in some ………………. artistic. ………………. and ………………. explore their own limits and conditions human : overcoming or letting tame an animal with which they are ………………. . A space-time confined lived, delivered in deferred or direct, which includes the ………………. at work, in a contemplation of passive or active participation, engaging in dialogue with the artist Poincheval as to better share and collect our different ………………., the art of containment.
3) What definitions can you make between a pictorial two-dimensional and a work performance :
- Pictorial two-dimensional : ………………………………………
- Work is performative : …………………………………………………….
4) The three representations are from the point of view of the painter and photographers.
Make three drawings that represent this time the point of view of the three protagonists (artists and characters) represented in the works.
5) Proposal : “DIARY Of A(E) CONFINED(E)”
Instructions : “using the journal by way of material or logbook, you will tell your confinement period intervening plastically and graphically (drawing) on the journal or using it for collages. You will be able to exploit/hijack the images, titles and texts, intervene on it (paint, juice, coffee, etc.), cut-and-paste, insert drawings, illustrations, texts, etc, for only at the discretion of the columns, and pages, reads and lives in your history of confined(e)… “
Mario MERZ (1925-2003), the Newspaper ‘il resto del carlino’ del maggio 1976, 1976. Installation of a combination of materials : newspapers, glass, blocks, putty welded plastic, fluorescent tubes in the form of numbers of neon, and electrical accessories. Hamburger Bahnhof, Museum für Gegenwart. Berlin.
Corrected
2. Complete the text using the list of the following words :
Beuys / body / composition / space / space-box / Messina / pictorial work / active participation / painting / performance / Poincheval / time / viewer / meaning / viewer to the work
The painting of Messina invites the viewer to enter in thepictorial work through an opening that frames the scene in which Saint Jerome throne, alone and peacefully, in the center of the composition and a space-box that acts as a screen to a depth suggested of hand and on the other by windows. Birds are watching the scene, also a coyote plays a scene of a bear and offers a stage : all animals coexist with the man confined in the time and suspended spaces confined. Taming tested and implemented in some performance artistic. Beuys and Poincheval explore their own limits and conditions human : overcoming or letting tame an animal with which they are body. A space-time confined lived, delivered in deferred or direct, which includes the viewer to the workin a contemplation or passive active participationby engaging in dialogue with the artist Poincheval as to better share and collect our different meaningthe art of containment.
3) What definitions can you make between a pictorial two-dimensional and a work performance :
- Pictorial two-dimensional : the painting is a painting and the two-dimensionality corresponds to its two dimensions : height x width. Some of the pictorial works that can be undertaken the three-dimensionality, that is to say, the low/high relief, such as some Shaped canvases of Frank Stella (we will also speak of sculpto-painting).
- Work performance : a work performer is an artistic performance which is a mode of expression of contemporary art (appeared at the end of the 60’s) where an event, an action and its unfolding in time is a work of art. At the confluence/intersection of artistic expressions and communicative plural (dance, music, theatre, visual arts) and multimedia, it seeks, in a staging and dramatization of the body (of the artist), a blurring of all boundaries and divisions, or boundaries, creating ambiguity to the spectator who is not, a priori, not be involved by any participation that is other than the quality of the public. The performance is then relayed by the captured photo/video showing the work in deferred.
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