Curiously, to better understand this work of Jean-Claude Barrère, you literally have to take the height. From the ground, we can see a work on the volume through 12 oblique bars whose junctions are either suspended or placed on the ground.
However, from the highest windows of the surrounding buildings, one can see two intersecting hexagons reminiscent of the typological formulas used in chemistry.
“We read from the edges of the support inwards. What is proposed by the form-support is a “look” from the inside to the outside, above and…
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