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Can we communicate of the “digital aura” of works of artwork?

The new systems expand the general public of artwork – world and at a length – and we in transform see how the functions are reproduced in new digital and digital formats: it is a new paradigm, which revolutionizes a area that has remained secure for centuries, but is now living a second of transformation.

Two very graphic illustrations, which have been produced in current times: the Guernica (1937) by Pablo Picasso had its digital replica in superior definition in Tokyo, and was exhibited on a big display on a scale practically equivalent to that of the initial, exhibited in Madrid (right up until this Sunday it was aspect of the exhibition Picasso arrives, in Japan).

Can we now feel that the aura is dissociated from the materiality of the operates? Is the idea of “digital aura” legitimate?


At the exact same time, a digital art laboratory this 7 days inaugurated a museum in the Metaverse: that is a virtual space in which the functions are “exhibited” – in this case electronic replicas of works by Latin American artists – and that navigators can observe strolling with their own avatar in cyberspace.

Slowly, we began to familiarize ourselves with the cryptographic artsvalidated by non-fungible tokens (NFT), which give validity to the ownership of electronic works and assure their authenticity, by way of a procedure that preserves it and makes it unrepeatable. Hence, NFTs also usher in new methods of trading artwork and even a new kind of gathering.

What would Walter Benjamin, writer of the famed essay, be Art in the period of its technological reproducibility, who postulated that despite the fact that functions can be reproduced, their copies are missing “aura”? connected with this strategy “the below and now” of the do the job, linked to a certain idea of sacredness.

Can we now imagine that the aura is dissociated from the materiality of the operates? Is the notion of “electronic aura” legitimate?

There are those people who argue that it is, considering that there is a one of a kind method, encrypted in digital room and incorruptible: the aura recognized as a auto of tips and thoughts, and which is replicated with an unprecedented scale.

The art revolution allows new questions and problems us to renew strategies.

IT GOES

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