And his participation in a series "stiletto"which was a huge success, he told L"Sky News Arabia": "I had a lot of fun shooting Stiletto, because the crew were all professional actors, and we lived together a long time, and we cooked, and we worked, and we hung out, and those things reflected in the atmosphere in front of the camera, having the prevailing atmosphere of familiarity.".
As for the role "Khaled" Who presented to work, confirmed this "It looks a lot like him"adding: "Khaled is a lot like me, mostly because he adheres to principles that affect his actions and his life. When we introduce a character, the makeup of him comes from things we imagine, from the writer or director, and from ourselves as people, us the actors".
When asked about the criticisms some have made of the idea of presenting works from Turkish or international works, as in the case of "stiletto"What if this negatively affects Arab writers and limits their creativity? Abu Shakra said: "First, events happening in the Arab world need not be identical for the Turkish series Or the world from which it was taken, events can change".
He continued: "The writer who rewrites the series from the Turkish opera completely reshapes the opera to become Lebanese (referring to Stiletto). Resort to present Arabic copies of Series International doesn’t mean Arab writers won’t work. If they stop working it means we have a bigger problem unrelated to other inspired work".
He concluded his speech by saying: "Writers need more time to write and research so that the writer does not become a storyteller but rather a researcher. They should also have more freedom to portray reality as it is".
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He said: “The harshest criticism I’ve leveled at myself is that sometimes I tell myself I shouldn’t be an actor, so how can I be an actor who has studied and worked in acting and presented something with such a fail!. I’ve heard it more than once.”
On the other hand, he claimed Badie Abu Chacra He “is not bothered by others’ criticisms of his work, believing they are sometimes ‘fair’.
And his participation in The “Stiletto” serieswhich achieved great success, he told “Sky News Arabia”: “I had a lot of fun shooting Stiletto, because the crew was made up of professional actors, and we lived together for a long time, cooked, worked and went out together, and these things reflected in the atmosphere in front of the camera, given the prevailing atmosphere of familiarity.
Regarding the role of “Khaled” that he presented in the play, he stressed that he “likes it a lot”, adding, “Khaled is very much like me, mostly because he adheres to principles regarding his actions and his life. When we introduce a character, its composition comes from things we imagine, and from the writer or director.” and of ourselves as people, we are the actors.”
When asked about criticisms by some of the idea of featuring works from Turkish or international works, as was the case with ‘Stiletto’, and whether this negatively affects Arab writers and limits their creativity, Abu Shakra said: “First, it doesn’t have to be. The events that occur in the Arabic opera are identical for the Turkish series or the world from which it was taken, events can change.
And he continued: “The writer who rewrites the series taken from the Turkish opera, completely reshapes the opera to make it Lebanese (referring to Stiletto). Resorting to presenting Arabic versions of Series International doesn’t mean Arab writers won’t work. If they stop working, it means we have a bigger problem that isn’t related to other inspired work.”
He concluded his speech by saying: ‘Writers need more time to write and research, so that the writer does not become a storyteller, but rather a researcher. They also need more freedom, to represent reality as it is. is”.
