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America: the history of the USA revisited with humor on Netflix

The Chris Miller / Phil Lord duo’s new production on Netflix will tackle a pivotal period in US history. In “America: the film”, it will be about the American Revolution revised and corrected. The first trailer sets the tone.

America : the American Revolution as you’ve never seen it

A few weeks later The Mitchell vs. the Machines, another production by Chris Miller and Phil Lord is about to land on the platform. the June 30, we will be able to discover America: the movies. An animated feature film that promises to be crazy.

Directed by Matt Thompson, it will offer us an offbeat vision of US history. Indeed, its subject is the american revolution. A clash between the colonies of North America and Great Britain, the outcome of which was the birth of the United States during the second part of the 1700s. A major event, which we will discover from a new angle, in a revised and corrected version. Knowing the two producers, we expect nothing less than something funny, inventive and irreverent.

America: the movies ©Netflix

A boosted first glimpse

We understand what we have to do when we see the first trailer (in an article) and George Washington arrives by launching “Ding dong, it’s America, motherf*cker !

The first president of the United States will be the main hero ofAmerica. It is he who will lead the hostilities to overcome the English camp, accompanied by his friend Sam Adams, a beer drinker, and other colorful allies, including Thomas Edinson and Geronimo. George Washington will shine with two blades grafted to the forearms. This is one of the crazy ideas offered by this film. The trailer highlights more, including putting together some sort of superhero squad wearing the nation’s colors. Channing Tatum has agreed to lend his voice to George Washington et le reste du casting vocal se compose de Simon Pegg, Judy Greer, Bobby Moynihan, Amber Nash, Matt Yates, Andy Samberg et Raoul Max Trujillo.

Visually, America will not be a slap and do not even venture into the field of photorealism. On the contrary, we have an animated film that assumes its simple but effective artistic direction. We don’t want to judge the final result on this, but rather on its ability to be a comedy for adults that deposits.

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