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Director and screenwriter Wes Anderson won his first Oscar for his short film “The Wonderful Story of Henry Sugar.” However, Anderson could not be present to accept the award in person.
According to Deadline, Anderson said in a statement: “If I could have been there, I would have said ‘Thank you’ to: Roald Dahl’s family; the Netflix team; Benedict and Ralph and Ben Kingsley and Dev… and more”
And he continued: “And also: If I hadn’t met Owen Wilson in a hallway at the University of Texas between classes when I was 18, I probably wouldn’t be receiving this award tonight… but unfortunately Steven and I are in Germany and we start shooting our new movie early tomorrow, so I didn’t actually receive the award or have a chance to say any of that.”
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Wes Anderson has begun production on his next film, ‘The Phoenician Scheme.’
Starring Michael Cera, Benicio del Toro and Bill Murray. pic.twitter.com/FVf7KNAhQl
— Cinema Solace (@SolaceCinema) March 12, 2024
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Anderson also spoke about his experience working on this film, based on a story by Roald Dahl. She highlighted the story and praised the talent of the actors involved. The film received excellent reception upon its premiere at the Venice Film Festival.
At the moment, the director is focused on the production of said film, in which he will collaborate with prominent actors such as Benicio del Toro, Michael Cera and Bill Murray.
Oscar-winning style
Wes’s decorated style is recognized for his unique visual aesthetic and meticulous approach to the composition of each scene. Anderson is known for his use of saturated colors, precise symmetry and still shots, creating a sense of order and perfection in his films.
His attention to detail extends to the art direction, where each object and decoration is carefully selected to fit his narrative vision.
In addition, Wes frequently uses the technique of slow motion and complementary music to create emotional and nostalgic moments. His style is also characterized by deliberate dialogue and dry humor, which add a touch of irony and peculiarity to his stories.
The director has a penchant for outlandish narratives and eccentric characters, often exploring themes such as dysfunctional family, complex relationships and a sense of belonging.
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