The title already advances what this Hollywood blockbuster holds. Knowing also that it is a continuation of Kong: Skull Island (2017) and Godzilla: King of the Monsters (2019), any doubt about its content is diluted. In this sense, it must be recognized that it fully meets the expectations generated, although it does not exceed them either. However, it should be appreciated that, with a plot budget conducive to an overwhelming pyrotechnic display, he succeeds in dosing himself and places the thunderous sequences at the right times.
When Godzilla, after several years disappeared, attacks the Apex Industries facilities in Pensacola (Florida), the directors of this prestigious technology corporation conclude that the only way to end such a fearsome threat is to find the origin of those titans, in the interior of the Earth. Only Kong can guide them there, so after convincing the scientists in charge of guarding the great primate, they embark on an expedition to Antarctica, but such a decision resurrects the old and deadly rivalry between the two colossi.
The script, without forgetting the spectacular images that the public wants, is concerned with developing two equally interesting plots in parallel. The dangerous sea voyage, which provides the most spectacular scenes, alternates with another intrigue aimed at uncovering the dark side of the powerful multinational. This second narrative thread takes the forms of a youthful adventure, with slight reminiscences of the eighties, which helps to avoid an overwhelming excess of action.
It is easy to spot some small inconsistencies and narrative gaps; However, if you opt for this type of entertainment, it does not seem advisable to dedicate yourself to perfectly fitting all the pieces of the story. Just let yourself go and endure the explosive resolution. In that final part, the technical departments acquire relevance and offer the expected and vibrant climax, surprise included: a violent fight wrapped in neon lights (perhaps the director longed for his disco times). It should be noted that nothing is hidden after the extensive closing credits.
At the beginning of the film, before the expected confrontation between the two giants begins, we see Kong on Skull Island, where the scientist who is in charge of his care moves through nature with a Jeep Wrangler Sahara, sand color , 2014.
The Jeep Wrangler is the successor to the civilian version of the legendary Jeep used by the US Army during World War II: a brand of off-road automobiles created by the Willys-Overland company in 1941, and which today is a division of Chrysler.
There are different versions of the origin of the name “Jeep”. The most widely accepted comes from the 1930s cartoon Popeye the Sailor, featuring a character named Eugene the Jeep, a yellow pet similar to a dog, but with supernatural powers. During the war, American soldiers attributed these powers to the Jeep.
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The Jeep Wrangler (wrangler is cowboy) began to be marketed in 1987 and comprises four generations, to this day. The one in this movie belongs to the third one that goes from 2007 to 2017.
The project had been announced earlier, at the 1986 Chicago Auto Show, and sought to meet the demand for a modern off-road vehicle, but which, at the same time, could also attract drivers who mainly move on the road with a comfortable design. and sure.
The first generation began to be manufactured in the Ontario factories and then production expanded to the Ohio facilities; even many units have been acquired by the Army.
It is an off-road vehicle adapted to today’s demands, with cutting-edge technology and whose iconic appearance is reinforced by the wheel arches and the body-colored hardtop. With 2 or 4 doors, it measures up to 4.7 in length, 1.89 in width and 1.82 in height.
It was marketed in gasoline versions with a V6 or diesel engine. It has four-wheel drive and its electronically limited top speed reaches 180 kilometers / hour.
Currently, the Sahara model can be bought new, starting at 61,700 euros for the two-door and 65,600 euros for the four-door.
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