Theaters in Krefeld and Moenchengladbach
:
A man, his younger self and a tape recorder
–
“The Last Tape” – Joachim Henschke as Krapp speaks sourly into the tape recorder.
Photo: Matthias Stutte
–
–
Krefeld In Matthias Gehrt’s production of Beckett’s ingenious solo “The Last Tape”, Joachim Henschke plays a failed old writer. The premiere is on February 25 in Krefeld.
In the theater people often fail loudly – when we do, we usually meet heroes who, even if it doesn’t even happen loudly, break their fate with a grand gesture. In life, however, many fail – if one can ever speak of true failure at all, but that is a more philosophical, if not theological question – rather quietly. If that’s a bit of an exaggeration, it’s allowed in this piece, namely “Krapp’s Last Tape” by Samuel Beckett from 1958.
–
–
–
hco, D wnen reueissgR dnu eocheathdiSNrs-ruckliop eds eeTrtsah dlerKfe und McaatehbMincöl nhsadghta rhGet inop, retti „mi eLetz, nt ‘anBd rdwi r, kla sdsa dsa nebLe niee gEnsuntnsi nsi ksnsi nsi wesat pDsneerimdiree hpbateüur encasuhna stll? eo Wlie eides rknnieEstn in dimees lnsotizee und hocd of Gtsei ierens ttsgeEutniszhen in nniees ncnhoKe tenaedgnr restkireMwe Nov dme geäepisrbrtloreN Bteteck uaf here epeis, thoc clans oneoetkripm Weies in ien tztor rde teillS dnu edr onigRnetsai hdgeülsen minkncatnE-Su gsesngoe. edruw rollVe I o – rien dnu dre so yiehsctnp titsachsneailf oc.lenhMleai
Perreime ftined ma 2.52 mu rU20h in der abrFki reedeH tttas
sDesne eenu rnneneuIsigz feirte – haemcnd sei uvzro nhcos ni nMhöcnaebcaldhg uz shene wra – am 52. rebaFru 02 (Urh) eiremePr in erd deflrerKe kFiabr eeedr.H ppa, Kr erd oefogeslrl lüsnbcrl, rct rc, eschnekH – der iew Grhte das hrtaeTe am Eend dre Spteiizel e.srältsv rHei sti nHckshee gn (gaJrha 19) 44 las ürbe hsic endrtkeeienelfr „aetrl Mnn“ a uz belr.nee sAl ytotPpro enise lrnhvic.
Der lCuo, edi eleiang udn hlicetigze serh aus dem steiZtegi dre Mteit des .02 nJutasdrrheh reb, oneeg eIde tsi ine oea ägtdrnrTb; onde sbrsee agtges sdnese leloR im bneeL vno p.aKpr – sneröybom hnhöyviv bie eeoPsz, srn c.) te aenlaegf.du Der ehtercrtillfSs eahtt nud ath es hcis ruz honeiehGtw htaemcg, na enensi rbatsueneGgt iwejles eni abndonT zuenenufahm, imt eoeeiRnfnlx reeb ne Jneah, nh. ien aBdn .hbreneescp vZrou icsh rbea itm mneie etlan andB aafdru m.ieentnsmi Die lWah flätl ufa neensi .39 .tuGebagtrs chciSth um cciSthh nbettrtlteä cish eine asüuchcRk auf nies enbeL rnnnn nn a ll nn nn e nlL rnk nn.
“eiD grFui esd rKpap hta eisn mtstpoelke Lbeen rde untKs e”eitd,wmg lrkräet Ghe,tr nud asd abhe muz ifrogsesMl ügfhtre. In meside rekW heg es ßcahgmbeil um eid oleP rPti„va und u“tsk,n udn you hauc arucshdu ibfasoarotcghui uz n.uedet und nslzggwfiäua iwhgencs hacu ineiblews dei fraBogiie des estlrünKs with nei.ihn threG and ,cheHtlepengis te.eskne eni.eskne eni (sagutuAnst Glebreai eki,rTzcn aDatueis Thgmamrro ohslua,Bk)c hatnel chis mti„ geiögherm ßMa an t“eRimeeu-gD ahn na nniwenaegeiseugR eetsckB.t sE gbit rnu cohn niwgee aKrnet frue ads üin6-emitg5 S.oe.oslinn
etr.m-ge-hdetrka
–
