Authentic title: Crimson Star Distinctive | Bringing his debut novel to the Mid-Autumn Pageant Interview with Ding Chengxin: Psychological scenes are not effortless
The movie “The End of the Sea is a Prairie” was supervised by Li Jinwen (former supervisor of famed movies and television functions these types of as “Captain of China” and “Gu Jian Qi Tan”), directed by Er Dongsheng and starring Chen Baoguo, Ma Su and A Yunga.
The movie is an adaptation of the genuine historical occasion of “Three Thousand Orphans Entering Internal Mongolia”, it will start out on April 15th 2021 and will end on August 10th. 12 months.
In the formerly exhibited generation special, Ding Chengxin, who performed the purpose of “Little Day Cake” Ma Zhengyuan in the film, confirmed a new scene in which she wore a Mongolian gown and sat from a stone, causing enthusiasts to scream and wait around for her with impatience.
Ding Chengxin: I performed Ma Zhengyuan in the movie. But Zhengyuan was a child abandoned by his mothers and fathers in a Shanghai orphanage when he was a youngster, then he arrived in Internal Mongolia mainly because of the “3 thousand orphans who entered Internal Mongolia”. He experienced a next birth, figured out to experience a horse and archery, and became a true Mongolian boy. .
Ding Chengxin
Crimson Star News: This is your 1st motion picture, how do you sense?
Ding Chengxin: It is really definitely the initially film I have been in. I am honored and blessed. I will do my very best to come across the traits of the figures and integrate them with my factors in typical, so that I can act much better.
Purple Star Information: The character of young Ma Zhengyuan doesn’t have numerous traces in the movie, which sentence struck you the most?
Ding Chengxin: It is the phrase “Good day, I am the son of Baoli Deqimuge”. Because I feel this phrase conveys a improve of id, symbolizing Ma Zhengyuan’s second rebirth. Most likely luckily for us for him, the whole feeling changed: he went from Shanghai boy to Mongolian.
Crimson Star Information: Ma Zhengyuan moved from Shanghai to Inner Mongolia and lived in Interior Mongolia for a lot of decades.
Ding Chengxin: The first is the modify in appearance. Set on your make-up to make yourself a minimal darker, he wears community clothes and, via hands-on working experience, permit oneself believe that that you are a person who has lived listed here for a very long time and then, master some critical expertise, realized a few items of Mongolian and figured out to trip a horse. As for archery, I know that far too. It is really the type of archery I enjoy. It has fundamental principles. The most important thing is to observe and see the lifestyle behaviors of the locals and fully grasp the historic event of “three thousand orphans moving into Interior Mongolia”.
Ding Chengxin’s make-up photograph (left) and her 1st studying to experience a horse (ideal)
Purple Star Information: What sort of emotion does Ma Zhengyuan come to feel towards Du Siheng in the movie?
Ding Chengxin: I imagine the two accompany and depend on each other, and there will also be the emotion of an older brother having treatment of a younger sister, simply because they have been with each other considering the fact that childhood, but there is a period of time of separation in the middle. I really don’t believe the connection involving the two is incredibly simple, in accordance to Ma Zhengyuan, Du Siheng will be a microcosm of her memory or daily life experience, and it will be found in her, so there is a particular, indescribable experience, There are strong emotions, family and friendship.
Ding Chengxin stills
Pink Star Information: In the scene where you reunited soon after a extended absence, what type of emotions do you want to categorical?
Ding Chengxin: Actually, at the time I was a bit puzzled, at the time the director was hoping it would be awesome to be informal and truthful. I comprehend that it may be more of a feeling of surprise, or a normal experience of “not finding taller for a very long time”. It does not will need to be way too potent or way too mild, just the appropriate taste. And there was some joy in the center of the scene, but it was quite pleasurable. When Ma Zhengyuan went to look at Du Siheng, her brother blocked her see and Ma Zhengyuan seemed again and forth. It was rather amusing. Considering that the director cares about everyone’s thoughts, we acted and noticed for ourselves at that moment.
Pink Star Information: We all know the quicksand scene is a greater scene than the movie, and you shot it the working day you initial arrived. What is actually your perception?
Ding Chengxin: At that time, I just arrived (on set) and I haven’t totally entered the point out. I nonetheless have to have to depend on the opponent to give me some stimulation and the sand and sand surroundings is very realistic, and it will also give us some support. The psychological emotion is a bit of a stress and ultimately, when you truly action into the scene, you will fail to remember your environment. The most fascinating thing is that following filming, I nonetheless like currently being in the mud pit and I never want to go out, because the mud pit is very scorching.
Ding Chengxin (still left) at the taking pictures area of the quicksand present
Red Star News: There are a good deal of riding scenes in the movie. This time you also figured out to ride a horse. Is this your very first time driving a horse?
Ding Chengxin: Of course, for the first time. In point, the worst point is the shoes, since the sneakers I was carrying at the time had a somewhat significant toe box, which was straightforward to get stuck in, and the ft ended up easy to trip more than when they received off. I consider the method of understanding to experience is extremely fluid, it can be not tough, it’s uncomplicated to get began. It depends on how brave you are. I consider it can be just not resisting, not being frightened, not getting concerned, embrace it, embrace it with bravery.
Pink Star Information: This was my 1st time collaborating with director Er, did you really feel any modifications when you very first met?
Ding Chengxin: I feel it can be practically the very same. As an previous father, he enjoys and cares a large amount for everyone and will selflessly share his love of him with absolutely everyone. I recall in the scene wherever I was beaten I had to wear protecting clothing, at 1st I was donning considerably less, so the director initially tried using on himself to see if the beating was unpleasant. Director Er reported he hurts, no, so I right away gown him additional generally and I treatment a great deal about the actors, I feel quite very hot.
Ding Chengxin function poster
Red Star Information: The theme of the movie is “Three Thousand Orphans Moving into Interior Mongolia”, a quite critical historical occasion. Have you ever listened to of this tale?
Ding Chengxin: I have presently heard about this drama and learned about it just after I got it. I was studying an report at the time, and when I read through that report, I felt a minor bitter in my heart, and quickly there was a “bang” and it felt like my coronary heart was about to crack. The distinction concerning that era and now is much too powerful, and now every person is in a content stage, not able to actually take pleasure in their experience of helplessness and innocence at that instant. (Compelled by purely natural disasters) The baby was deserted at beginning and arrived at the pasture for treatment method. The Mongolian people are quite enthusiastic and would want to offer their sheep and substitute them with cows, because at the time it was claimed that only cows could just take care of those people orphans.
Pink Star Information: What kind of that means do you believe this film has?
Ding Chengxin: I feel it is to make anyone comprehend the selfless really like of the nation.
Purple Star Information: This is your to start with time making a film, what do you consider is the most rewarding?
Ding Chengxin: Maybe it is to make my general performance far more serious and far more stress-free, perhaps a tiny improvement. This style of scene can make my acting a lot more realistic and I truly feel extremely comfortable shooting in such a stunning spot.
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The stop of the sea is a prairie
The premiere of the movie “The conclusion of the sea is the prairie”, Er Dongsheng recreates the tale of “A few thousand orphans entering Inner Mongolia”
Red Star Information reporter Zhang Shihao
Edited by Duan XueyingBack again to Sohu, see extra
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