Playboy Cuts Ties With Hefner, Rebrands for Post‑MeToo Era

Editor’s Note: The views expressed in this commentary⁢ are solely those of the writers. ‌CNN is showcasing the work of the Conversation, a collaboration between journalists and academics to provide news⁣ analysis and commentary. The content is produced solely by The Conversation.



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⁣ Hugh Hefner launched Playboy Magazine 70 years ago⁣ this year.‌ The first issue ⁣included a nude photograph of Marilyn ‍Monroe, ⁢which ​he had purchased and published without her knowledge or consent.

‍ ​ ⁤ ​Hefner went on to build​ the Playboy ​ brand off the backs of the ⁢countless women featured in its pages, whose beauty and performance of heightened⁢ feminine ⁤sexuality have entertained its readers for generations.

⁤ ‌ Approaching its 70th⁤ anniversary in December, Playboy has radically shifted. With‌ the magazine no longer in publication, the Playboy Mansion sold to ​a developer and ⁢London’s last ‍remaining Playboy club closing‍ in 2021, what is the future for Playboy? The brand is changing to keep up with the post-#MeToo world.

Hefner passed away one month before allegations against film producer Harvey Weinstein surfaced in 2017, giving momentum to the #metoo movement⁢ (which‌ saw survivors of sexual⁤ assault and harassment speak out against their abusers). This timing proved critical,forcing Playboy to confront ⁤its legacy and⁣ adapt to⁢ a changing cultural landscape.

READ MORE: Sex, love ⁢and⁢ companionship … with⁣ AI? Why human-machine relationships could go mainstream

‍ In recent years,many have ⁢re-evaluated Hefner’s legacy and relationships ‌with women. The 2022 ‍docuseries “The Secrets of Playboy” (which aired on Channel ‌4‍ in the ⁤UK) detailed sexual misconduct accusations against Hefner from several ex-girlfriends, including model Sondra Theodore and TV personality Holly Madison. These accounts ⁣painted⁢ a disturbing picture of control, manipulation, and emotional‌ abuse, challenging the long-held image of the Playboy Mansion as a glamorous paradise.
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⁢ Hefner and Playboy’s ⁤relationship with women has been elaborate. Playboy ‍was an‍ early supporter of abortion⁢ rights, helped fund the first rape⁤ kit and was at times an early proponent of inclusivity (for example featuring transgender model, Caroline “Tula” Cossey, in its June 1981 issue).However, these progressive stances were often overshadowed by the objectification of women within its pages. The vast majority of women featured in Playboy historically adhered to a narrow beauty standard – thin, white, able-bodied, and blonde – reinforcing societal pressures⁤ and limiting depiction.
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​ Meanwhile, Hefner’s personal relationships‌ with ⁤his much younger girlfriends⁤ reportedly followed patterns of control and emotional abuse. ex-girlfriend⁢ Holly Madison ⁣described Hefner as treating her “like a glorified pet” in her 2015 memoir, “Down the Rabbit‌ Hole,” detailing a life of isolation, manipulation,​ and psychological coercion.

⁣ Hefner’s passing meant he evaded reckoning with the #MeToo⁢ movement. ‌ Playboy, tho, responded, releasing a statement ‌in which it affirmed support ‌for the women ⁣featured ⁢in “The Secrets of ⁣ Playboy” and called⁢ Hefner’s actions “abhorrent.” ‌This was a⁤ notable step, acknowledging the harm caused and signaling a ‌commitment to change.

⁤ ‍ The⁣ statement declared that the brand‌ was‍ no⁤ longer affiliated with the Hefner family and ‌would be focusing on aspects of the company’s legacy that align with values of sex positivity⁣ and free‌ expression. This repositioning marked a intentional attempt to distance itself from the​ controversies surrounding its founder and embrace a more‍ modern,⁤ inclusive ⁢ethos.

READ MORE: The ‘milf’: a brief cultural history, ​from Mrs Robinson to Stifler’s mom

⁤ ​ ⁣ ​ Today, Playboy is a ⁣very different company from the one Hefner launched nearly ‌70 years ago. Roughly⁣ 80% of Playboy staff identify as women, according to the company, and its motto has changed from “Entertainment for Men” to “Pleasure for All.” Shares in the company are publicly traded and 40% of its board and⁣ management are women. These ‍statistics demonstrate a significant shift in power dynamics and a commitment to‌ gender equality within the association.

The company‌ has ​also moved ⁣towards more creator-led⁢ content through its​ app, Playboy Centerfold. Similar to subscription content service OnlyFans, Playboy Centerfold ⁢allows subscribers to view content from ⁣and interact with its creators, which it calls “bunnies.” This platform aims to ⁤empower creators by giving them greater control⁢ over their content and earnings, moving away from the conventional top-down model of the magazine.

Playboy Cuts Ties With Hefner, Rebrands for Post‑MeToo Era

⁢ On the app, creators — or bunnies — are able portray their own bodies ⁤however they wish, putting ⁢the power back in their hands. Perhaps Playboy’s future‍ is no longer⁢ in serving the male gaze, but rather the‌ very‌ audience Hefner dismissed ‍in his first letter from the editor:

‌ ‌“If you’re a man between the ages of 18 and 80 Playboy is meant for you … If you’re somebody’s sister, wife‍ or mother-in-law and⁤ picked us up by mistake, please pass us along to the man in yoru life and get back to your Ladies Home Companion.”

‍ ‍ ⁣ The stars ‍of​ Playboy’s mid-2000s ⁤reality series, Holly Madison and Bridget Marquardt, are⁤ also enjoying a resurgence among fans.

“The ⁢Girls Next Door” launched in 2004. The show focused on the lives of⁤ Hefner’s three girlfriends, Madison, Marquardt and kendra ⁣Wilkinson. It became E’s best‌ performing ⁣show ⁢and cultivated ‌a new female audience for Playboy.

​ ⁣“The Girls​ Next Door”​ was a story of ⁣complicated empowerment despite patriarchal interference.⁣ Its three female protagonists went from​ being ⁢known solely as some of ⁤Hefner’s many⁤ blonde girlfriends,to celebrities in their ‍own right.

⁣ ​ ‌ ‍They each ultimately⁣ broke up with Hefner, leaving the Mansion and going on to led prosperous careers.

⁣ The show’s depiction of Madison, Marquardt and Wilkinson as ⁤empowered, fun-loving and​ complex individuals, who found joy and agency through expressing their sexuality was perhaps what drew so many female fans to the show.However, amid the girls’ fight for agency, Hefner retaliated.

Bridget Marquardt and Hugh Hefner with Holly Madison and ‍Kendra Wilkinson‍ in ⁢2008.

The series shows that he maintained final⁤ say in every Playboy photograph of the girls, as well as imposing strict curfews and spending allowances.

⁤ ‌ In Madison and Wilkinson’s memoirs,“Down the Rabbit Hole,” and “Sliding into Home,” they claim that production consistently undermined them.⁤ They refused to pay them for the first‍ season, didn’t credit them until season four and aired their uncensored nude⁣ bodies in foreign broadcasts and DVD releases without consent.

READ MORE: #MeToo ⁣in space: We must address the ‌potential for sexual harassment and assault away from Earth

Fan interest in⁢ “The Girls Next Door” remains strong. In⁣ August 2022 Madison and ⁣Marquardt launched their podcast “Girls Next Level,” where they interview previous playmates and interact with fans. They​ also recap episodes from their own points of view, unpacking their ⁤experiences of working on the show.

⁣ ⁣ Having reached 10 million downloads as of February 2023, the success of the podcast — 14 years after the last episode of “The Girls Next Door” — speaks to the cultural legacy of the Playboy brand. It also shows that despite Hefner’s original editor’s note, Playboy resonates with some women.

Playboy is⁢ now in a post-Hefner era, where the imagery of women found within old issues of Playboy can serve as inspiration for others to⁢ enjoy their own sexuality.Whatever the⁤ future has for the company,the concept of playboy has become public⁤ property — be ⁤that in⁢ the appearance of Playboy bunny costumes each Halloween,the popularity of cheeky Playboy logo tattoos or branded lingerie ‍and clothing.

⁤ In a post-#MeToo era, the women of Playboy are speaking up and taking over. With the mansion gates closed, the⁢ bunnies ‍are finally reclaiming the ⁤brand as their‍ own.

Top Image: Hugh hefner with ⁢Playboy ⁣“bunnies” in London ‌in 1966.

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