Home » Technology » Memory of Princess Mumbi: Damien Hauser on AI and the Future of Film

Memory of Princess Mumbi: Damien Hauser on AI and the Future of Film

by Rachel Kim – Technology Editor

Venice Days⁢ Premiere: ‘mumbi’ Director Damien Hauser Details AI-Assisted ⁣Editing, Vision for African Sci-Fi

VENICE, ITALY – Damien⁢ Hauser, director of Mumbi, ⁣discussed the extensive‌ post-production​ process adn his creative approach to the film during an interview following its premiere⁤ at Venice Days. ⁣Hauser revealed ‍editing and effects ‍work spanned from ‌February of the previous ⁣year until ‍just weeks ago, ‌driven by a ⁢unique, documentary-style⁢ shooting method ⁣yielding over 44 hours ⁤of footage.

“I started editing it in February last​ year,and I finished editing and the whole post‍ just weeks ago,”⁣ Hauser stated.​ He​ described ⁤a particularly intense two-month ⁤period ⁤focused on visual effects, completing ‌approximately 10 VFX shots daily. The ⁢sheer volume of ‍footage,comprised⁢ of diverse scenes⁤ and‍ conversations without repetition,allowed for important narrative versatility. “I feel I really⁢ wrote the film in editing,” ⁤Hauser‌ explained,⁣ emphasizing ‌the constant reshaping of​ the story to maintain audience⁤ engagement.

Addressing the ⁤film’s ⁢genre, Hauser clarified that ⁤Afrofuturism wasn’t a primary influence. “I didn’t think of it like that when I shot​ it. I don’t even know‍ what kind of future the film is.I guess it is just ‍an African sci-fi film.” He positioned Mumbi as an ​experiment,⁣ contrasting it with large-budget science fiction productions frequently enough constrained by commercial considerations.⁢ Hauser believes utilizing AI as a tool provided the ⁤freedom to create a ​highly specific and niche​ film.

He ‍anticipates ⁤increased accessibility to AI will​ empower ⁣filmmakers to explore diverse⁣ sci-fi narratives. “In the future, as ⁢access to AI becomes easier, you ⁤can explore a sci-fi world so much ‍more in different ways, which don’t have to attract everybody.” Hauser also expressed excitement about the⁣ future of African cinema, noting that films like Black Panther, while set​ in Africa, were‍ produced outside the continent. “Africa ⁢itself, or filmmakers in⁤ Africa, never‌ had the budget to make such a film, but I’m really looking forward to the films coming ⁢out of the continent in⁤ the future. Once people ⁢are able to tell thier‍ own stories,there will ⁢be so many crazy stories,new stories,new perspectives.”

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