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King Art Games Announces “Dawn of War IV” – A Warhammer 40,000 RTS

Bremen‘s King Art Games Aims for⁢ Independence as German Gaming ​Market Booms

Bremen, Germany – Local game developer King Art ‌Games is pivoting toward autonomous project development and publishing, fueled by federal funding‌ and recent sales success, as‌ Germany solidifies its position as a major player in the rapidly expanding European gaming market. The move comes as the German games industry grapples with a reliance on imported titles⁤ despite ⁢generating €9.4 billion in sales last year -‌ a nearly 50% increase as 2019.

The shift reflects a broader transformation of the gaming landscape, debunking outdated stereotypes.‍ According to the “Annual Report of the‍ German ⁢Games Branch 2025,” nearly half (48 percent) of German gamers are female, with ⁤an average age of thirty. however, despite this growth, Germany lags behind countries like france and Great Britain in domestic game production, a consequence of past “killer game debates” and a historically‍ negative perception of video games. king Art Games, known for developing Warhammer 40,000:‍ Dawn of War IV, is now seeking to address this deficit.

“there are a few ⁤developers ⁣who really manage to assert⁤ themselves internationally, and in this respect there is not a doom of the world,” stated​ King Art Games’ theysen. Since 2019, federal funding has been available to support computer game development,⁤ including projects ⁤like those currently underway at King Art. The company aims to leverage this​ funding, alongside revenue from existing ⁤games, to self-fund and‍ independently⁣ publish future titles, keeping ​more revenue within Germany – and specifically, ​Bremen.

The​ success of this strategy hinges on the performance of a new game slated for release ⁤next year. Theysen emphasized the benefits of independence, stating, “Of course,​ this has the ​great advantage that more money stays with us, but especially here ‌in Bremen.” ⁤He also highlighted‌ the potential for increased collaboration between local⁢ companies, suggesting that many projects currently outsourced to the US or UK could be handled domestically.

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