You Can See Everything earns high reviews and $15m box office
The documentary You Can See Everything, a three-hour examination of Theranos founder Elizabeth Holmes directed by Nathan Fielder and Lance Oppenheim, has generated an unprecedented critical and commercial response in the United States and Canada despite not yet receiving a wide global release.
The Box Office Reception in North America and Critical Response
You Can See Everything logged $15m at the box office in its opening weekend in the US and Canada. The Guardian’s critic called the film “a stupefying and gloriously destabilising hall of psychological mirrors, a thrilling once-in-a-lifetime collision of director and subject”, as theguardian.com reported.
Review aggregators have recorded near-max scores for the unreleased-globally feature. On Metacritic, the documentary earned a score of 99 out of 100, matching the Metacritic score of the 2016 best picture Oscar-winner Moonlight. Rotten Tomatoes displays a 99% rating from 117 reviews, placing the title in contention for the site’s best-rated film of 2026. Letterboxd lists the project as effectively the highest-rated cinema release ever on its platform with a 4.7 out of 5 score, trailing only a live Radiohead concert and two television series in overall user rankings.
Historical Rankings on Metacritic and Rotten Tomatoes
The film sits at 24th on Metacritic’s all-time list of best-rated films. Other top-tier historical titles on the platform include Citizen Kane from 1941, The Leopard from 1963, The Conformist from 1970, and Tokyo Story from 1972.
By contrast, the lowest-rated films on Rotten Tomatoes for titles with 20 or more reviews include Tom & Jerry: The Forbidden Compass from 2025, Left Behind from 2014 starring Nicolas Cage, Roberto Benigni’s 2002 adaptation of Pinocchio, and Superbabies: Baby Geniuses 2 from 2004, which Joanne Kaufman of the Wall Street Journal described as “unspeakably ghastly”.
