Home » Technology » “Terminal” by Michou, “Kaizen” of Inoxtag … the preview in the cinema, obligatory passage and a winning bet for the youtubers?

“Terminal” by Michou, “Kaizen” of Inoxtag … the preview in the cinema, obligatory passage and a winning bet for the youtubers?

by Rachel Kim – Technology Editor

Youtubers​ Turn to Cinema for High-Stakes Projects, Boosting Revenue and Reach

Paris, France – ⁤A growing number of prominent YouTubers, including Michou with his recent project ​ Terminal and Inoxtag with Kaizen, are premiering their content in cinemas before⁢ releasing it online, a strategy proving beneficial for both recouping ample production costs and expanding​ their audience. This‌ shift marks a new⁤ revenue stream within the Creator Economy and a bid for broader recognition beyond the digital sphere.

these cinematic releases aren’t simply promotional events; they’re becoming integral to​ the financial viability of increasingly enterprising projects.While‌ a typical YouTube video from ​a creator like Michou costs between €30,000 and €40,000,Terminal‘s budget exceeded €1 million,a scale Michou himself described as “the most intense and expensive shoot” he’s ever undertaken (Nrj,2023).The cinema​ run allows creators to partially offset these costs through box office revenue sharing, creating “an additional income line…which did not exist a year before,” according to Romain Cabroleier, Director of Partnerships at ‍YouTube.

The financial benefits aren’t always⁤ immediate.Despite the perception‍ of wealth, SEB, a ⁤YouTuber who has released ⁣documentaries both in cinemas and on TFX, stated in Le Monde (2023) that “with​ such a project, I do not⁤ earn money.” However, these projects demonstrably increase subscriber‍ counts – as seen with inoxtag following Kaizen‘s release – and considerably boost overall notoriety.

This strategy also appeals⁣ to brands seeking innovative ways‌ to engage with audiences. YouTube sees the cinema experience as a way to “put ‍this content⁤ in a setting…what more stunning setting than‌ cinema to offer an unprecedented experience on image and sound,” Cabroleier explained. While large-scale projects remain expensive and not always promptly profitable, the cinema ‍premiere is⁢ solidifying its place as a key component of the modern YouTuber’s toolkit.

Sources:

* ​ Nrj. “Je n’ai jamais fait un tournage aussi intense et ⁢cher : Michou révèle les‌ coulisses de Terminal dans le Supershow NRJ.”⁢ https://www.nrj.fr/actus/je-nai-jamais-fait-un-tournage-aussi-intense-et-cher-michou-revele-les-coulisses-de-terminal-dans-le-supershow-nrj-71365170

* ​ Le Monde. “Un apéro avec Seb : « Je peux passer une journée entière à préparer une blague,ce qui est un problème ⁢dans la vie ».” https://www.lemonde.fr/m-perso/article/2023/04/14/un-apero-avec-seb-je-peux-passer-une-journee-entiere-a-preparer-une-blague-ce-qui-est-un-probleme-dans-la-vie_6169562_4497916.html

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