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South Park is doing what the rest of the media won’t

“South ⁤Park” Thrives While Other Trump Critics Face Cancellation, Highlighting a New Media Calculus

NEW YORK In ⁢a‍ media landscape‌ increasingly shaped by financial pressures and shifting political dynamics, the animated comedy South Park is bucking a trend: it’s not only openly satirizing former President Donald Trump, but also achieving record viewership and a lucrative $1.5 billion deal with Paramount Plus. This success stands⁤ in stark contrast to the recent‍ fates of ⁤other prominent Trump critics, like‍ Stephen Colbert, whose ‍show The Late Show was canceled by CBS, ​reportedly due ‍to financial underperformance. The diverging paths raise questions about the evolving relationship between ‍entertainment, politics, and profitability in the current media habitat.

The​ situation underscores a growing reality: in the streaming era,​ content that demonstrably drives subscriptions‍ and viewership appears to be shielded from political⁣ repercussions, even when aggressively critical of powerful⁢ figures. South Park, created by Trey ⁤Parker and Matt Stone, has long been known for its satirical edge, and its recent seasons have​ continued to lampoon Trump and his management, even directly addressing his persona.Despite‌ this, Paramount Global has repeatedly extended its partnership with Parker and Stone, most recently with⁢ a comprehensive deal announced July 23, 2025, encompassing both ⁢the continuation of South Park and the expansion of South Park Digital Studios.

“They are the foundation of the house that David Ellison’s trying to build, and he can’t compromise,” a⁤ source familiar with Paramount’s strategy ⁣explained, referring‌ to⁣ Ellison, the ⁤founder ⁢of Skydance ​Media, which holds⁣ a significant stake in⁢ Paramount Global.

The contrast with The Late Show ⁣ is notably striking. While Colbert was a vocal ‌critic of Trump,⁢ the show had been experiencing financial difficulties. CBS maintains the cancellation‍ was “purely for financial reasons,” a claim supported ⁣by reports indicating the show​ was losing money. An archived ‌report from Febuary 2025 confirms The Late Show’s financial struggles.

South ⁢park’s success, though, is undeniable. Paramount has actively promoted the show’s ​performance, highlighting its surging ratings. Recent data ⁣shows the show is beating viewership records set years ago on cable television. More significantly, when combining‌ cable and streaming audiences, South ⁤Park is⁤ now attracting 5, 6, or even 7 ​million viewers per episode, according to reports from CNN​ and the Los Angeles Times published July 30 and August 13, 2025, respectively. These numbers are exceptionally strong for an animated comedy,‌ and represent a key driver of Paramount Plus subscriptions.This dynamic ⁤isn’t​ occurring in a vacuum. Meta recently reached a settlement with Trump regarding ‌suspensions from Facebook and Instagram, ⁤while ‍reports indicate that tech leaders who previously⁣ supported Trump have ⁢experienced financial losses. Furthermore,some ⁣individuals connected to Trump’s political campaigns have been making donations to his inaugural committee,adding another layer to the complex interplay between politics⁢ and business.

The South Park case suggests a new calculus⁣ is ⁤at ‍play. While political⁣ alignment may still matter in some corners of the media landscape, demonstrable profitability⁢ appears to be a powerful shield, allowing creators to openly criticize even the most powerful figures without⁢ facing the same consequences​ as‌ those whose work doesn’t deliver comparable financial results. The long-term implications of this trend remain to be seen, but it signals a potential shift in the relationship between⁤ entertainment, politics, and the bottom ​line.

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