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‘National Treasure’, the Japanese film that made me truly aware of Kabuki

Rediscovering Kabuki: Film ‘National Treasure‘ ignites Renewed Gratitude for⁢ Japanese Art Form

A‌ recent re-watch of the 2003⁢ Japanese film National Treasure has sparked a ⁤renewed interest in the traditional art of Kabuki, prompting viewers to explore the past and cultural significance of this uniquely ⁣Japanese performance style. The film, which centers on a Kabuki ⁤actor grappling with artistic integrity and family legacy, serves as a powerful introduction‍ to the world of onnagata-male actors specializing in female roles-and the hereditary nature​ of ‌Kabuki families.

For centuries, Kabuki has ⁤been a cornerstone of Japanese culture, revered​ as a‌ prestigious art form passed ​down through generations. Like China’s‍ peking opera and Korea’s Namsadang troupe, Kabuki historically featured exclusively ​male performers. The film’s depiction of this ⁣tradition resonated with Professor Emeritus Lee Jeong-ok of Widuk University, who noted the striking similarities​ to characters in the Chinese film Farewell​ my Concubine and⁣ the Korean film​ The King‍ and the Clown.Actually, the director of Farewell My Concubine ‍cited ⁢watching a Kabuki performance as inspiration for ‍his work.

National ‍Treasure illuminates‌ the concept of “living national treasures”-individuals recognized for their exceptional skill in traditional arts, ​akin⁣ to Korea’s​ holders of human cultural assets and national intangible cultural assets. The film’s title initially puzzled some viewers, but becomes‍ clear upon understanding this designation, ⁢referring to the kabuki actors ⁣themselves as invaluable cultural resources.

The film’s exploration of the onnagata role,where male actors embody ⁤female characters with remarkable artistry,is particularly compelling. Lee Jeong-ok ​observed a⁣ strong connection between these roles and⁢ characters from ‍ Farewell My Concubine and‌ The King and the Clown, highlighting⁤ a shared aesthetic and thematic exploration⁣ of gender and performance ⁢across ⁤East Asian traditional⁢ arts.

The enduring legacy of Kabuki families, ​maintained for nearly‌ 400 years, is also a central theme. ‌These families are treated with a​ level of‌ respect approaching nobility, underscoring the⁢ profound cultural ⁤importance of ‌this‍ art form.National Treasure offers a compelling‌ entry point for audiences seeking a ⁤deeper understanding of Kabuki’s history,⁤ artistry, and continuing relevance in contemporary Japan.

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