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Natalia Oreiro Defends Argentine Cinema & Challenges Spectator Counts

Natalia Oreiro Defends Artistic Freedom,Diversity in‍ Argentine Cinema Amidst Political Debate

Buenos Aires – Argentine actress ⁢Natalia Oreiro has spoken out in defense of artistic expression and the importance of diverse ‌cinematic offerings,stating she ​doesn’t believe a film’s success should be measured solely by audience numbers.⁣ Her comments come amidst a⁤ growing debate within Argentina‘s film⁤ industry regarding‌ the role of politics and ideology in artistic creation and consumption.Oreiro,⁣ known for both mainstream and independent roles including her 1998 breakout film An Argentine ⁢in ⁣New York and more recent work with director Benjamín Ávila (Clandestine ⁣childhood), emphasized the‌ need‍ for co-existence between ⁢commercially​ triumphant and auteur cinema. “I think⁣ you have to make​ cinema of‌ all kinds of gender,” she stated, adding, “our ⁣cinema ⁣is​ our story.” The actress’s remarks ​represent​ a call for⁤ inclusivity and a rejection of prescriptive approaches to filmmaking and audience engagement.

Oreiro addressed‍ the recent controversy surrounding actor⁢ guillermo Francella’s film Homo ⁢Argentum, acknowledging her affection for Francella, with whom ‌she shared her first film ⁢experience. She cautioned against “reducing an⁢ artistic fact to a political current,” advocating rather ​for a diversity of⁣ projects ⁤and ‌opinions.

“I believe that reducing an artistic fact to a political⁤ current is very‍ simple,” Oreiro said. “I advocate for the ​diversity of projects, of‍ opinions. I think they can live together.”‌ She further argued against ‌dictating how audiences should interpret films, stating, “Tell a person, ​how a movie has to do,​ how he has to think ⁢to see certain cinema, it seems⁤ to me that​ it is underestimating the public.”

Oreiro’s statements reflect a broader concern about the current climate in Argentina, acknowledging a “difficult time” both within the film industry‍ and the country as a whole. She concluded ⁢by stressing the power of cinema to connect people and the importance of‍ creating work⁤ that resonates with ⁢audiences on an emotional level.

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