It’s not long until Music Ally Connectour two-day international music-industry conference. Taking place on 22-23 January 2026 at The Brewery in london, it will gather speakers from around the world.
AI, innovation, publishing, marketing, music and gaming, and growth in India, Asia and Africa are among the topics on the agenda.As part of our preparations, we’ve been picking the brains of speakers on current trends, as well as their advice for emerging artists.
Next in line is Helena Kosinski,a leading expert in global music data and audience insight,formerly VP,global at Luminate and currently an advisory board member of Music technology UK.
Like manny other people in the industry, AI is at the forefront of her thoughts as 2025 draws to a close. She cites “the maturation of AI from a threat narrative to the reality of technological development” as the trend that she has been most excited about in 2025.
“The conversation has evolved from ‘how do we stop GenAI?’ to ‘how do we build the licensing frameworks that make GenAI work?’,” says Kosinski. “The shift is a sign of the industry’s quicker engagement with the inevitable. The question is no longer ‘AI or not?’ but ‘AI for whom, and on what terms?’”
Looking ahead to the challenges she’d like to be tackled in 2026, Kosinski sees “several problems holding the industry back” including the perennial bugbear of accurate data.
“A foundational issue is data infrastructure: conflicting data on rights ownership, persistently inaccurate metadata, and now AI models trained without clarity about which copyrighted works are included,” she says.
“You can’t compensate creators fairly, clear licenses efficiently, or build trustworthy Gen AI platforms without also focusing on this. Companies are building solutions to thes problems – more open rights databases, metadata verification, clear AI attribution systems,” continues Kosinski.
“What we need in 2026 is a focus on the investment in the data and tech infrastructure that makes everything else possible, alongside a focus on attribution, transparent licensing, and building the metadata infrastructure that could actually compensate creators fairly.”
Her work with MTUK has included co-authoring its ‘Sound Investments: the Case for UK Music Tech‘ report, which was published earlier this year. Among its findings was a critical funding gap for startups.
“While seed capital is accessible, only 14 companies progressed to Series A between 2020-2024 despite 54 raising seed rounds. Without patient, music-literate growth capital and export support, the problem is worsening,” says Kosinski.
“Only 4.6% of companies founded in 2023-2024 received funding, down dramatically from the 20% average for companies founded in the eight years prior. The solutions exist – we just need the investment infrastructure to match the ambition of the companies building the future of music rights and data.”
A final question we’re asking all the speakers in this Connect Chats series focuses on what advice they have for emerging artists trying to navigate the industry in 2026.
“Understand your data, and own whatever you can of your tech stack,” is Kosinski’s message to these musicians.
“The artists who thrive in 2026 won’t just make great music – they’ll understand which platforms actually convert fans, what their true engagement metrics are, and how to use tools that put them in direct relationship with their audience rather then just renting access through intermediaries,” she adds.
“The good news is that the music tech ecosystem is building for artists, not just labels. My advice: be strategic about which partners you need, stay curious about the technology enabling your career, and remember that the goal isn’t to be independent of everyone – it’s to be intentional about who you’re dependent on.”
Helena Kosinski will be chairing the music Ally Connect ‘What Does Supremium Really Mean?’ panel on 23 January. Browse the full agenda and get your tickets here. Meanwhile, you can browse our other Connect Chats interviews here.
