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Kirill Petrenko: Schönberg Edition – Berlin Philharmonic Review

by Julia Evans – Entertainment Editor

petrenko‌ & Berlin Philharmonic Release ‌Landmark Schönberg Recordings – Live From the Concert​ Hall

Berlin, Germany The ‍Berlin Philharmonic, under⁤ the baton of Kirill Petrenko, has released a new series of live recordings featuring works by Arnold Schönberg, available now through Online Merker. The collection includes a ⁢compelling performance of Schönberg’s oratorio The Jakobeiter with the Broadcasting Choir Berlin and a stellar line-up of soloists: Wolfgang Koch (Gabriel), Daniel dropped (A profession), Wolfgang Ablinger-Sperrhacke (A rebellious), Johannes Martin Kränzle ‍(A ringing),​ Gyula Orendt (The selected), Stephan Rügamer (The monk), Nicola Beller Carbon (The dying), and​ Liv Redpath & Jasmin​ Delfs ‌(The soul).

The ​release also features Schönberg’s⁤ Concerto for Violin and Orchestra ‌Op. ​36 with soloist Patricia Kopatchinskaya, and Variations for orchestra Op. 31,all presented as examples of⁤ serial music.

According⁢ to a review by Dr. ‍Ingobert Waltenberger‌ for Online Merker, Petrenko is “urgently justified both the form of form and the expressive content ⁣of‌ the⁤ Innovator Schönberg,” and is “once ⁤again ⁢characterized as a gifted animator not only the orchestra, but ⁢also for the audience.” The review highlights Schönberg’s evolution‍ from free tonality, initially practiced around 1920,⁤ to his twelve-tone composition‍ method.

As Harvey‍ Sachs described, Schönberg’s twelve-tone system utilized “the twelve tones of ​the chromatic scale, ⁣which form a​ thematic motif. ‌This motif could be used in its original sequence, in reversal, in cancer or ‌in mirror cancer.”⁢ Sachs further noted that “in‌ this new system,the traditional structuring methods within a gradual non-thonal harmonious environment continued​ to exist.”

Waltenberger’s⁤ review acknowledges the ancient⁢ challenges⁢ Schönberg faced, including ⁤financial hardship and the ​need‍ to supplement his income with teaching‌ and arranging, culminating in his move ‍to the USA in 1933. Despite the complexity of his work, the recordings ⁤demonstrate a “romance​ in ⁤their emotional expression density.”

All recordings⁢ are ⁤available in both ​pure audio and Blu-ray⁢ film versions, capturing the energy of a live performance.

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