Spanish director Oliver Laxe Finds “Essence” in Crisis with New Film ‘Sirât‘
CANNES, FRANCE – Director Oliver Laxe is gaining recognition for his unconventional filmmaking process and deeply resonant new film, “Sirât,” a visually arresting and emotionally challenging work exploring themes of community, loss, and freedom. Laxe, speaking too the Los Angeles Times, attributes his creative growth to navigating “crisis,” stating, “It’s the only time when you connect with your essence. I just want to grow.”
“sirât” emerged not from a meticulously crafted script, but from striking imagery – specifically, trucks blasting music speeding through desert landscapes – and the energy of free parties where Laxe assembled his cast. He initially described the project to potential actors as “‘Mad Max Zero,’ ” but with “more metaphysical, more spiritual” undertones. Footage exists of Laxe explaining the film amidst the dancing crowds,a process he jokingly suggests should be shown in film schools.
shot on Super 16 film, production took place in the harsh terrains of Morocco and mountainous Spain, navigating treacherous roads reminiscent of those featured in William Friedkin’s 1977 film “Sorcerer.” Despite the challenging locations, Laxe maintains it was his “least dangerous film,” contrasting it with his 2019 arson thriller, “Fire Will Come,” which cast actual firefighters and filmed amidst active flames. “I’m a junkie of images and I need this drug,” he explained.
Laxe’s collaborators, including longtime writing partner Santiago Fillol and techno composer Kangding Ray, are drawn to his bold vision.The film, however, often transcends verbal clarification, relying on its powerful soundscapes, depiction of found family, and moments of sudden loss that have deeply affected audiences.
“The film evokes this community of wounded people,” Laxe said, emphasizing his intention isn’t to inflict suffering but to offer hope. “I trust in human beings, even with their contradictions and weaknesses.”
While open to interpretation, “Sirât” offers a potential parable about migration and fascism, alongside the exhilaration of embracing the unknown.The film has resonated with audiences seeking a sense of liberation, an unexpected outcome for a low-budget art film.
Laxe is already looking ahead to his next project, hinting at a similarly daring approach. During a conversation with the Los Angeles times, his connection was abruptly cut, leaving a fittingly ambiguous moment that he later apologized for, embracing the mystery surrounding his future work.
(Christina House / Los Angeles Times)
