AI-Generated Music Flooding Streaming Services, Impersonating Artists Like Taylor Swift‘s Collaborator
World-Today-News.com – A disturbing new trend is sweeping through music streaming platforms like spotify and iTunes: artificial intelligence is being used to create and publish entire albums attributed to real artists – often without their knowledge or consent. This isn’t just a minor annoyance; it’s a growing problem impacting established musicians and even deceased artists, raising serious questions about copyright, authenticity, and the future of music creation.
Fake Albums Appearing on Artist Profiles
The issue came to light recently when British singer Emily Portman received a message from a fan praising her “new album,” titled Orca. The catch? Portman hadn’t released any new music. Upon examination, she discovered a full album appearing on her Spotify profile, entirely generated by AI trained to mimic her style.”The music obviously generated artificial intelligence, but was cleverly trained, apparently on me,” Portman told the BBC. She was shocked by the convincing song titles, which “sounded as if I invented them,” despite the overall poor quality of the recordings.A second, less sophisticated fake album soon followed.
Portman isn’t alone. Josh Kaufman, a New York-based musician who played on Taylor Swift’s folklore album, found a song titled “Someone who’s Love Me” fraudulently uploaded under his name. “It was embarrassing and a little confusing,” Kaufman stated. “Music is the signature of our soul and it is terrifying that someone has such an easy access to him.”
A Pattern of Fraud: Indonesian Connections & One Key Composer
Investigations reveal a pattern behind these fraudulent releases. Multiple American artists have been targeted, with recordings consistently credited to the same three record labels – two based in Indonesia. A single name, Zyan Maliq mahardika, repeatedly appears as the composer.
The motive appears to be purely financial. As Tatiana Cirisan of the media-analytical society Midia Research explains, fraudsters are targeting lesser-known artists, hoping to generate revenue without attracting significant attention.
Spotify Responds, But the Problem persists
Spotify has acknowledged the issue and claims to be actively addressing it. The platform has removed the fake albums reported by Portman and others, citing violations of its policies against impersonation. Though, the ease with which these fraudulent releases are uploaded and the continued reports of new instances suggest the problem is far from solved.
Fans are still encountering these AI-generated albums, leading to confusion and perhaps damaging an artist’s reputation. Portman continues to receive emails from fans asking about Orca, demonstrating the lasting impact of these deceptive releases.
The Bigger Picture: AI and the Future of Music
This situation highlights the urgent need for robust safeguards against AI-driven fraud in the music industry. as AI technology becomes more sophisticated, the ability to convincingly mimic artists will onyl increase, making it harder to distinguish between authentic creations and AI-generated imitations.
The question now is: how can streaming platforms, record labels, and artists protect themselves - and their fans – from this evolving threat?
Keywords: AI music, Spotify, iTunes, Emily Portman, Josh Kaufman, Taylor Swift, artificial intelligence, music fraud, copyright infringement, streaming services, Zyan Maliq Mahardika, music industry, fake music, AI impersonation.
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