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Sony FX2: The New “Amphibious” Cinema Camera for Filmmakers
Sony has expanded its Cinema Line with the FX2, a camera designed for filmmakers who need both photo and video capabilities in a single device. Unveiled at a recent event featuring photography expert Dave Cheung, the FX2 aims to be an “amphibious model,” seamlessly transitioning between shooting stills and videos.This new addition joins the FX series, which includes the FX9, FX6, FX3, and FX30.
Understanding the Sony FX Series
Choosing the right camera from Sony’s FX series can be challenging. Each model caters to specific needs and budgets. Sony’s product manager and photographer Dave Cheung provided insights into selecting the best FX series camera based on practical experience.
Key Features of the Sony FX2
the Sony FX2 is marketed as an “entrepreneurial full-film movie machine.” It shares the same 33-megapixel back-illuminated full-frame sensor as the Sony A7IV, capable of shooting up to 4K 60p videos, albeit with a 1.5x crop factor similar to the A7IV.The FX2 incorporates AI-powered autofocus, enabling precise tracking of subjects like humans, animals, birds, insects, cars, trains, and aircraft. It also features AI automatic composition, a function previously seen in the ZV-E1.
The camera offers dual native ISOs, with ISO 800 as the base and ISO 4000 as the secondary value. A built-in fan provides active heat dissipation, ensuring stable performance during extended shooting sessions. The XLR handle allows for connecting professional audio equipment, and a 3.68-megapixel tilting electronic viewfinder is located on the left side of the body. A new lever on the back facilitates quick switching between documentary and film modes. The FX2 includes a full-size HDMI port, USB-C, and Micro USB ports. However, it only supports one CFExpress A card and SD card for simultaneous recording, differing from the dual card slot design of the FX6, FX3, and FX30.
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FX2 Specifications
- Sensor: 33-megapixel back-illuminated full-frame
- Video: Up to 4K 60p (1.5x crop)
- ISO: Dual Native (800/4000)
- autofocus: AI-powered subject tracking
- Viewfinder: 3.68-megapixel tilting EVF
- Card Slots: Single CFExpress A and SD card
Comparing the FX Series: FX6, FX3, and FX30
Sony FX6
The Sony FX6 features a modular design, allowing for the removal of accessories like the viewfinder and handgrip. Weighing only 890g,it uses a 10.2-megapixel Exmor R CMOS back-illuminated sensor,similar to the Sony A7SIII. It can record up to 4K 10bit 4:2:2 video at 120fps and includes dual native ISOs (800/12800) and a built-in variable ND filter. However, its higher price point may not be suitable for all users.
Sony FX3/FX30
The Sony FX3 shares the same Exmor R CMOS sensor as the A7S III, capable of recording 4K 10bit 4:2:2 video at 120fps. It also features dual native ISOs (800/12800) but lacks a built-in variable ND filter. The FX3’s design resembles a mirrorless camera, without a viewfinder but with a built-in fan for cooling. Unlike the A7SIII, the FX3 can connect to an external XLR handle for professional audio input.
Pro Tip: When choosing between the FX series cameras, consider your budget, the need for modularity, and the importance of features like built-in ND filters and dual card slots.
Table: Sony FX Series Camera Comparison
| Model | Sensor | Max Video | Dual ISO | ND Filter | Card Slots | Viewfinder |
|---|---|---|---|---|---|---|
| FX2 | 33MP Full-Frame | 4K 60p (1.5x Crop) | 800/4000 | No | 1x CFExpress A/SD | Yes (Tilting) |
| FX6 | 10.2MP Full-Frame | 4K 120p | 800/12800 | Yes (Variable) | 2x SD | Yes (Removable) |
| FX3 | 12.1MP Full-Frame | 4K 120p | 800/12800 | No | 2x SD | No |
| FX30 | 26MP APS-C | 4K 120p | 250/800 | No | 2x SD | No |
Evergreen Insights: The Evolution of Cinema cameras
The Sony FX series represents a significant shift in the world of cinema cameras, blending professional-grade video capabilities with the portability and versatility of mirrorless systems. this trend reflects the increasing demand for high-quality video production tools that can be used in a variety of settings, from independant filmmaking to corporate video production. The integration of AI-powered features,such as advanced autofocus and automatic composition,further enhances the user experience and streamlines the creative process.
Frequently Asked Questions About the Sony FX Series
- What is the primary target audience for the Sony FX2 cinema camera?
- The Sony FX2 is primarily aimed at filmmakers and content creators who require a versatile camera capable of capturing both high-quality video and stills, making it ideal for hybrid shooting scenarios.
- How does the Sony FX2 compare to the FX6 in terms of sensor and video capabilities?
- The FX2 features a 33MP full-frame sensor, while the FX6 has a 10.2MP full-frame sensor. The FX6 excels in low-light performance and offers internal ND filters, which the FX2 lacks.
- Can the Sony FX2 record 4K video at 120fps?
- No, the sony FX2 can record up to 4K video at 60fps with a 1.5x crop. The FX6 and FX3 can record 4K at 120fps.
- What are the advantages of the dual native ISO feature in the Sony FX series cameras?
- Dual native ISO allows the cameras to maintain optimal dynamic range and low noise levels across different lighting conditions, providing greater adaptability during shooting.
- does the Sony FX2 have built-in image stabilization?
- Yes, the Sony FX2 features in-body image stabilization (IBIS), which helps to reduce camera shake and produce smoother footage.
- What type of memory cards does the Sony FX2 support?
- The Sony FX2 supports one CFExpress Type A card and one SD card for simultaneous recording.
- Is the Sony FX2 suitable for professional filmmaking?
- Yes, the Sony FX2 is well-suited for professional filmmaking due to its high-resolution sensor, advanced autofocus capabilities, and versatile shooting modes.
What features do you find most appealing in the new Sony FX2? How do you think it stacks up against other cinema cameras in its class?
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Austin.- A new era is about to begin for American soccer led by an Argentine coach whose results are expected in the 2026 World Cup at home.
Former Tottenham and Chelsea coach Mauricio Pochettino will debut with the United States national team with a pair of friendlies, first against Panama on Saturday in Austin and three days later against Mexico in Guadalajara.
Pochettino was not present for the first 26 matches of the World Cup cycle and in which Gregg Berhalter and three interim coaches were in charge. This is the first of eight international windows Pochettino will have to evaluate his players and develop tactics ahead of the tournament.
Pochettino suggested patience is needed. The coach, his staff and the players spent this week not only training but getting to know each other.
Success will be measured by how well the staff and players get to know each other, how organized they are, and how well the team sends a clear message to the players about its expectations.
“Of course, football is about competing and winning. Our fans surely want to win,” Pochettino said on Friday. “At the same time they have to understand that in our first contact with the organization, players, we cannot push too much… We need to give the team time to adapt to us.”
Panama beat the United States in July at the Copa América after Tom Weah received a red card in the 18th minute for punching an opponent. The United States has only won once in Mexico, a friendly in 2012 at the Azteca Stadium.
The United States automatically qualifies for the 2026 World Cup as a host alongside Mexico and Canada. Pochettino has the task of taking the United States far in the tournament and in which they have not played the quarterfinals since 2002 and the semifinals since 1930.
The 52-year-old Argentine has managed several teams in Spain, England and France, but has never led a national team.
“The challenge for us is to create a team,” Pochettino commented.
His first call-up included Christian Pulisic, who has five goals in seven Serie A games with AC Milan this season. Pochettino considered Pulisic one of the best strikers in the world at the moment.
“It’s nice to hear it. I still have a long way to go to reach the top, the highest peak, but I think I’m on the right track,” said the player.
Goalkeeper Zack Steffen, who was left out of Berhalter’s squad for the 2022 World Cup, returned after reviving his career with Colorado after a disappointing spell at Manchester City.
Defenseman Tim Ream, the oldest player at 37, said this week that the team is ready to take it all in.
“The message is that you want to win, right? (Pochettino) has his principles, he has his ideas, but at the end of the day it is about winning.”