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Music director MM Keeravani, who conquered South India with touching melodies, was awarded the Golden Globe. The song “Natunatu” from “RRR” composed by SS Rajamouli came first in the “Original Song” category competing with the works of world famous musicians.

It was a proud moment for the Indian film music industry when Keeravani received the award at the 80th Golden Globe in Los Angeles which was packed with Hollywood stars. He accepted the award thanking the film crew including Rajamouli. The lyrics of the Telugu song sung by Kalabhairava and Rahul Sipligunj are written by Chandra Bose. The song has also been released in languages ​​including Malayalam.

This is the first time that a song from an Indian film has won this award. AR Rahman won a Golden Globe for the British film Slumdog Millionaire (2008). “Argentina 1985” won the award, though RRR was also shortlisted for Best Film in the non-English category.

MM Keeravani aka Koduri Marakatamani Keeravani was born in Kovvur, Andhra Pradesh. More than two hundred songs in languages ​​like Telugu, Tamil, Malayalam and Hindi have been prepared. Baahubali’s songs are remarkable. Songs from Malayalam movies like Suryamanasam, Nilgiri and Devaragam are very popular.

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Kasaragod
Vaikum Muhammad Basheer Balyakalasakhi was written in a lodge on Lower Chitpur Road (now Rabindrasarani) in Calcutta. That writing was in English. Later he himself changed it to Malayalam.

How much is nothing? Gurunathan once asked Majeed. Sabhiman Majeed said, ‘Ummini Balya one. As Asher has paraphrased this passage: Master once asked Majeed, ‘What can one and one do? Majeed proudly announced: ‘A pretty big one’. The same part was written by Basheer earlier in Kolkata. How Much One Plus One Can Ask Teacher One Day, Majeed Proudly Announces ‘A Very Great’ Bashir Created Ummini Balya One; Asher got “A Rather Big One” and Basheer got A Very Big One.

From the University of Edinburgh in England, he studied the languages ​​of countries such as Sri Lanka, India and Pakistan. Asher came to India to learn about the oral inflections of the South Indian Dravidian language. The mood was towards Tamil. Eventually he fell in love with Malayalam. This is how Asher became a Malayali ‘religion’ by reaching under mangosteen in Vailal. He came to the Basheer tree through Takazi. “When Basheer was there, I went to Kozhikode at least once every two years. Basheer will dictate my diet to Fabi and the others. The tangy and spicy aroma of the Malabar Biryani still lingers in my memory,” Asher recalled.

Asher heard of Takazi in the fifties. In 1962, after reading C. Narayana Menon’s English translation of Chemmeen’s novel, he wrote to meet in person. Seen in Ernakulam. It was a start. It was this crisis that prompted Asher to become a Malayali. Later the translation of the novel Thotti’s son. Asher also wrote about Takazi’s writing style. “Takazhi’s specialty is that he waits years before writing a novel, thinking about its plot. He gave the impression that writing a novel or story is the easiest part of the whole essay process. Once Takazi he asked me: Is Asher writing a novel for you? It’s very easy.” Heeding Takazhi’s advice, Asher didn’t become a novelist, but he became a lover of the language and a reader more than any Malayali. The linguist also insisted on speaking to Malayali people in Malayalam.

Salman Rushdie said there are no good novels in Indian languages ​​and if there are, they are by English Indian writers. Asher vehemently objected. Saip, a Malayalee named Asher, asked what would happen to Malayalam’s place in world literature if Westerners understood the political consciousness of Takazi’s prose and Basheer’s experiences.

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