Instagram’s โขUltra-Wide Reels: A Noveltyโฃ Format โฃCapturingโ Attention – For Now
Singapore – Aโข new,โ strikingly narrow video format is taking over Instagram, with brands โคand creators โคalike experimenting with the 5120 x 1080โฃ pixel ultra-wide “skinny” reel. Whileโ its longevity as a standard remains uncertain, the โformat is proving effective at cuttingโ through โthe noise and sparking engagement, drivenโ by its unexpected nature.
Theโ trend’s appeal lies in its disruption ofโ the typical โvertical โฃscroll. “The odd format makes their โคhumour land harder,” explains Priscilla Wai, highlighting its success with pop culture โaccounts. Sheโฃ adds that photographers, fashion, gaming, automotive, and travel creators are also finding โขsuccess, as โthe panoramic feel effectively showcases their โvisuals.
For brands, the emphasis isn’t necessarily on long-term adoption,โ butโ on demonstratingโค agility and participation in theโค current conversation.”It’s less about it being a long-term format and more โabout โsignalling that they’re swift to experiment,”โค Waiโข stated.
The opportunity extends beyond typical lifestyle categories. abdul Sani Abdulโฃ Murad, group CMO at RHB โขBanking Group, points to the potential for โtraditionally “dry” sectors to โbenefit. “The obvious answer is travel, โluxury, cars – things thatโข naturallyโ lend themselvesโ to cinematic storytelling benefit from โthis โขformat. But I thinkโข the bigger opportunity lies inโ categories that don’t usually get that treatment,” he said.
RHB Banking Group’s own campaign featured a blue strip โขwith abstract red, white, and blue shapes, accompanied โขby text โproclaiming “together we adapt, reinvent, transform, reshape and innovate.” Sani โคexplained theโ strategy: “Bankingโฃ usually lives in โspreadsheets. we โdecided to give it a cinema โฃscreen instead. That mismatch catches people offโฃ guard and makes them rethink what bankingโ is really about. โIt’s not just โmoney, but progress inโค people’s lives.”
Though, experts are dividedโค on whether this format will become a permanent fixture. โคabdul Saniโฃ believes โขthe underlying desireโ for novelty will endure, โขeven if the โspecific format fades. “formats areโ fickle but theโ impulse behind itโฃ will stay,” he said.โฃ “At RHB, we didn’t useโ widescreenโ to โchase a trend.We used it โas โคaโค Trojan horse: โฃyouโ enter with novelty, but you stayโ because theโค story feelsโ bigger. And the story we wanted toโ tell isโ timeless: together we progress.”
Similarly, Kong predicts theโฃ format will remain a niche creative tool, stating, “It is indeed more than a passing fad, but less than a permanent shift in strategy.”
Hajar, however, sees potentialโข for the format to evolve into a new creative canvas. “For now,it feels like a trend because โคmostโ executions โคare drivenโ by speedโ to market. But I can see brands treating it as a new creativeโค canvas,” sheโ said, โnoting that the format’s emergence on social media, after previouslyโ being used primarily for Digital Out-of-Home (DOOH) advertising, “opens upโ room to experiment and build newโ types of storytelling.”
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