Chilean arts Festival Bridges Science and Imagination with Universe-Inspired Installations
SACO1.2, Chile – A new arts festival in Chile is โขsparking dialog between scientific exploration and artistic expression, featuring installations inspired by astronomy, astrobiology, and the unique landscapes of the Atacama Desert.The Biennial Saco1.2, currently underway, showcases the work of three international artists-Giovana zuccarino, Jan Tautz,โข and Katarzyna Tretyn-who each offer distinct perspectives on humanity’s relationship with the cosmos.
the festival underscores a growing trend ofโ artistsโค turning to scientific themes for inspiration, โฃfostering a space where complex knowledge is reinterpreted thru โcreative lenses. โฃBy presenting these works,Saco1.2 aims to demonstrate that science and art aren’t mutually โคexclusive, but rather complementary avenues for understanding our place in the universe and โprompting new โขways of thinking about โknowledge and creation.
Italian artist Giovana Zuccarino presents plates capturing lunar light, while German artist Jan Tautz explores cosmic phenomena through abstract forms. Polish artist Katarzyna Tretyn‘s installation, The Observatory ofโ Silence, โdraws directly from her experiences at Chilean observatories like Cerro Murphy andโ Paranal.
“chile, with its clear skies and its avant-garde astronomical infrastructure, allowed me to liveโ the pace โคof โคwork in an observatory. That experience became one of my most โcritically importantโค sources of โinspiration,” explains Tretyn. Her work connects astronomical research with astrobiology, specifically the similarities between โขthe Atacama Desert and the surfaceโ of Mars, โขprompting contemplation of โpotential life beyond โฃEarth.
Tretyn emphasizes that her project doesn’t aim to replicate scientific data, but โฃrather “Build a contemplative space where scientific knowledge acquires a new artistic dimension.” The installation utilizes a dynamic structure of tensioned โand illuminated threads,inviting viewers to pause and consider the “invisible,” highlighting the potential for both science andโค art โto thrive in silence.