Northwestern‘s “Man of La Mancha” Production Interweaves Illusion and Reality to Powerful Effect
EVANSTON, IL – northwestern University’s recent production of ”Man of La Mancha” employed striking theatrical techniques to connect the classic story with contemporary themes of detention and displacement. The production, which concluded with nine sold-out performances, utilized stark lighting and staging to juxtapose the musical’s fantastical world with the harsh realities of a modern immigration detention center.
During the performances, actors portraying ICE agents would interrupt the narrative, triggering a jarring shift in atmosphere. This transition was underscored by the sudden activation of 250 individual industrial white lights, designed to shock both the characters onstage and the audience. ”When we jump from this beautiful, heightened reality back to the detention center, we feel the shift – not only on the stage but in ourselves,” explained lighting operator Walker.
Stage manager Audrey Michael, a Northwestern senior, ensured the seamless synchronization of musicians, actors, and crew throughout the production.
The production was documented over six months by Northwestern Magazine‘s Diana Babineau, digital videographer Shane Collins, and video producer Jude appleby. A slideshow of the final performance, including backstage images, is available through the magazine.
