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Grande Arche: A Closed Roof and a Longing for Accessibility

Closed Doors⁤ at La Défense: Citizen Campaign ⁣to Reopen Grande‌ Arche’s Roof⁣ Gains Momentum

La Défense, France – A faded,⁤ handwritten note​ affixed to the panoramic elevator kiosk of the ⁤Grande Arche“The roof of the Grande Arche is permanently‍ closed to the public. Thank you all. » followed by repeated thanks – encapsulates decades of unrealized ambition for the iconic⁢ Parisian landmark. Now, a renewed push led by concerned citizens ⁣is challenging that closure, demanding ⁤public‌ access to ⁤the structure’s rooftop observation deck.

The Grande⁤ Arche,⁤ completed‌ in 1989⁣ for the bicentenary of ⁤the French ​Revolution, was envisioned as a modern counterpart to the ‌Arc de Triomphe, completing⁣ the⁢ historical axis stretching from the Louvre. Though, despite initial plans ⁢for⁤ public access, the roof has remained off-limits, a⁣ source of ongoing‌ frustration ⁤for many, including 82-year-old Jean-Louis Subileau, ​who ⁣expressed⁤ his disappointment during a recent visit in‍ early‍ 2025. This citizen-led effort seeks to change that,‌ reigniting a debate about the⁢ purpose and accessibility of this symbol⁣ of La Défense, the ⁣capital’s bustling business district.

the story⁢ of the Grande ​arche is inextricably linked ⁣to the ambitious‍ building program initiated by President François Mitterrand in‌ the 1980s, which also included ⁤the transformation of the Gare d’Orsay into a museum, the construction of ‌the Opéra Bastille, and the development of the Parc ⁤de‍ la Villette. the project itself arose from a competition launched during the​ presidency of Valéry Giscard d’estaing⁤ (1974-1981) to determine how best to complete the outlook of the historic axis. ⁤

From 424 submissions, Danish architect Johan Otto ⁣von Spreckelsen was selected, with Paul Andreu​ later completing the project. Originally ​intended‍ to⁤ house‌ the International Crossroads of Interaction, and potentially ‌ministries related to urban planning, housing,⁣ and the surroundings, the Grande Arche quickly⁢ became a symbol of ​modern France. The ongoing closure of its roof, however, represents​ a missed prospect to⁤ fully realize its potential as a public ⁢space, a point now being​ forcefully made ⁢by those ⁤advocating for its reopening.

The narrative⁢ surrounding the Grande Arche has recently been brought back ⁤into the ⁤spotlight with the release‍ of The Unknown of the Grande Arche, a film⁢ by Stéphane Demoustier, ‍inspired by ​Laurence Cossé’s novel The Great Arch, ⁢which explores the complex relationship between the architect and ​the political forces ​behind the project. This renewed cultural interest may further ​fuel the⁤ campaign for public access.

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