“B&B Vol Liefde” Star Richard van der Meulen Claims Producers Ignored His Specific Preferences
Richard van der Meulen,a participant in the popular RTL 4 reality show “B&B Vol Liefde,” has voiced strong dissatisfaction,alleging that the show’s producers deliberately disregarded his explicit requests regarding potential partners. Van der Meulen claims he was misled and that the production team intentionally created a narrative that did not align with his stated desires.
The reality TV personality expressed his frustration in an interview with Weekend magazine, describing the show’s production as a “ball program” and feeling “abused for TV.” He stated that viewers have a distorted perception of him due to the edited portrayal.
A key point of contention for Van der Meulen is the timing of the filming. He asserts that the production team began filming on april 1st, earlier than the agreed-upon May 1st start date. This premature commencement, he claims, was a deliberate tactic by the makers, as the villa was not yet ready for habitation. “Only one bedroom was off,” he revealed, questioning the producers’ suggestion to house the women in a caravan.
Furthermore, Van der Meulen alleges that producers attempted to manipulate him into reading scripted lines on camera, a request he refused. He maintains that his participation was intended to be unscripted and authentic.
The most notable grievance, though, revolves around the selection of women.Van der meulen explicitly requested women with specific physical attributes, including long hair, dark eyes, dark hair, and “good buttocks.” He claims the women presented to him did not meet these criteria,describing them as having short hair,lacking curves,and generally not being to his taste. Out of 85 initial applications, he was reportedly only allowed to choose from a limited selection of 13 women, whom he believes were chosen for their potential to create dramatic television rather than genuine compatibility. Van der Meulen expressed concern that the television industry frequently enough fails to recognize the emotional impact its productions have on individuals.
