## Quebec Animation Faces Crossroads at Annecy International Animation film Festival
The Annecy International Animation Film Festival served as a backdrop for discussions surrounding the vibrant, yet increasingly precarious, future of animation in Quebec. While the province boasts a strong infrastructure, skilled artists, and historically attractive tax incentives, recent policy changes and the looming presence of artificial intelligence are casting shadows over the industry.
A recent article highlights the critical context surrounding Félix Dufour-Laperrière’s film, *Death Does Not Exist*, which premiered at Annecy. Dufour-Laperrière revealed the film draws significant inspiration from the October 1970 crisis in Quebec, specifically the implementation of the War Measures Act following kidnappings by the quebec Liberation Front (FLQ). The film, characterized by its poetic storytelling, overwhelming music, and striking visuals, explores themes of freedom and the limits one might reach to defend it, mirroring the ancient suspension of civil liberties in Quebec. The director intends the film to serve as a contemporary reflection, prompting audiences to question current societal constraints.
Though, the future of Quebec’s animation sector isn’t solely defined by artistic exploration.The article details growing concerns about the industry’s economic stability. while artificial intelligence presents a potential long-term threat – with predictions of artists being replaced by automated systems – Quebec producer Brice Garnier argues that AI currently functions as a generative tool, reliant on original human content. He anticipates AI will likely be utilized for less artistically demanding tasks,leaving the progress of complex scenes in the hands of human animators. garnier emphasizes the need for the animation industry to continually evolve alongside technological advancements.
A more immediate and pressing concern is the recent reform of Quebec’s tax credit system. Previously, generous tax credits attracted numerous studios and international productions to the province. However, a change implemented at the end of 2024 capped tax credits at 65%, substantially diminishing Quebec’s competitive advantage. This adjustment has already resulted in decreased revenue, layoffs, and studios relocating to more financially appealing markets. Véronique Tassart,of Cinesite,reported the loss of three contracts shortly after the reform’s announcement.
Despite efforts to find a compromise with the government, including a petition garnering support (available here:
