Agnė Kuzmickaitė debuts collection bridging theatricality and utility
Designer Agnė Kuzmickaitė debuted a collection at the Green Hall business center that bridged theatricality and everyday utility, presenting a palette of black, white, and red interwoven with historical costume references and corset interpretations.
Balancing Theatrical Drama With Practical Daily Wear
While the runway presentation leaned heavily on rich velvet textures, bold Renaissance-inspired silhouettes, and dramatic staging reminiscent of theater curtains, the designer maintained a firm anchor in commercial practicality. Kuzmickaitė emphasized that she would not feel like a complete designer if her work existed solely for the runway or photographic lenses, insisting on creating clothes that function in real wardrobes.
Partnering With Utenos Trikotažas for Ready-to-Wear
This dual approach directly tied high-drama aesthetics to accessible fashion through a partnership with Utenos Trikotažas.

Reinterpreting the Corset Through Academic Research
At the heart of the collection’s creative framework stood the corset, a garment Kuzmickaitė integrated into her designs after adopting it into her personal wardrobe. By examining the structural relationship between the corset and the human body, she shaped a contemporary silhouette grounded in classical femininity and sensuality. Alongside this, recurring brand motifs like the butterfly and the ribbon received new technical updates, appearing within jacquard knits, raised fabric textures, and shimmering crystal embellishments.
Silk Accessories and Beauty Teams Complete the Runway Look
Beyond core apparel, the presentation incorporated silk accessories developed in partnership with Donum, introducing silk scarves designed to alter the character of existing outfits as versatile styling elements. To complete the visual identity on the runway, makeup was executed by Glow Studio artists using Cent Pur Cent cosmetics, while the Grožio akademija styling team handled models’ hair utilizing Keune products.