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Title: Why 90s Movies Feel Better Than Modern Cinema

by Rachel Kim – Technology Editor

Why 90s Movies Feel More Alive Than‍ Anything on Netflix​ – Andre Franca

Tags: #Blogging #ClassicCinema #ModernMovies #Netflix #Streaming

A ⁤recent rewatch of The Silence of the Lambs (1991) sparked ‍a ⁢question: why⁣ do films from the ‍1980s and 90s frequently enough resonate more powerfully today than contemporary releases, even ​those ‍readily available ‍on platforms like Netflix?

The distinction, it truly seems, lies in the craft of filmmaking. Consider Martin scorsese’s Goodfellas (1990). The film doesn’t simply narrate ⁣a story‍ about the mafia;‌ it immerses⁤ the viewer in that world through techniques like​ the iconic⁢ tracking shot through the Copacabana, a conversational narration style, and the sudden, brutal depiction of violence. This creates a visceral‌ experience,conveying both the allure and⁣ the⁢ paranoia inherent in that lifestyle. Each scene feels purposeful, meticulously building character. In⁣ contrast,Scorsese’s ‍later work,The Irishman (2019),while a solid ‍film,feels‍ comparatively lengthy and ⁣relies⁢ heavily on digital de-aging technology that​ doesn’t fully convince.

Quentin tarantino’s Pulp Fiction (1994) offers another compelling example. The film’s fragmented narrative structure, while unconventional, works brilliantly, supported by sharp, memorable dialog and characters ‌who ​feel ‍genuinely⁣ lived-in. Vincent⁤ and‍ Jules,the film’s hitmen,are not simply defined by⁣ their profession; they engage in philosophical⁢ debates,adding layers of complexity. Compare ​this to Bullet Train (2022), a more recent action film that, while visually stylish, ⁣feels overly concerned‍ wiht being quirky. Its characters ⁣lean towards archetypes, and the dialogue frequently enough prioritizes cleverness over substance, resulting​ in a fleeting entertainment experience.

This difference extends to the thriller genre. the Silence of⁤ the Lambs excels in psychological tension, with every⁢ interaction between Clarice and⁤ Hannibal ⁣Lecter feeling like ⁢a calculated game. The horror stems from the characters’ internal struggles and ‍manipulations, not ‌from superficial jump scares. Modern thrillers like The Woman in the Window (2021), ⁢while offering twists and atmosphere, often lack the same depth of character advancement, diminishing ⁢the emotional investment.

The core of the issue, perhaps, is risk-taking. Films of the 80s and ⁢90s often demonstrated a willingness to challenge‍ audiences, trusting them to‌ engage with‌ complex narratives and nuanced characters.Directors like ⁤Scorsese and Tarantino were granted meaningful creative freedom, allowing them to pursue their artistic visions without ‍excessive​ studio interference, unburdened by the pressures of demographic targeting or franchise building. They focused on creating films,not ​simply ​products.

Today, cinema ‌frequently appears to be⁢ the result of committee decisions, optimized for streaming algorithms⁢ and box⁤ office returns rather than enduring⁣ artistic impact. While⁤ technological advancements have yielded ⁤larger budgets and more sophisticated effects, something essential has been lost: the ability to create films that truly​ move ⁢ us, rather ⁤than merely filling ⁣the time between ‍scrolling through our devices.

Perhaps a degree of nostalgia‌ plays a⁤ role. Though, the lasting impression left⁤ by ⁤a truly grate film – the hours or days spent contemplating its themes and characters – stands in stark contrast⁣ to the immediate forgettability of​ many modern ‍blockbusters, which frequently enough fade from memory⁤ shortly after the credits roll. And that difference, ultimately, speaks volumes.

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