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The Pioneering Efforts and Golden Age of Cai Luong
The progress of Cai Luong theater saw notable advancements thanks to the collaborative efforts of mr. Nguyen Nguyen nguyen and the folk artist Nam Chau (also known as Nguyen Thanh Chau). Influenced by Western studies, Nam Chau worked with Mr.Nguyen Nguyen Nguyen to translate Victor Hugo‘s novels into Vietnamese, or they undertook these translations together. This marked the emergence of the first professional Cai Luong “rotary books,” specifically targeting an urban and intellectual audience. This discerning audience sought performances that were not only engaging but also possessed literary elegance and depth.
During the rehearsal and production phases, Nguyen Ngoc Cuong applied his theatrical expertise, gained from his training in France. He was instrumental in mentoring a new generation of artists, including Ai Lien, Bach mai, Nam Nghia (father of the distinguished artist Thanh Nga), Nam Phoi, and Ba Giao. Mr. Nguyen Nguyen nguong’s contributions were extensive, encompassing scriptwriting, direction, and artist training. The Phuoc Cuong troupe, a prominent ensemble of the era, featured renowned artists such as nam Phi, Ba Van, Phung Ha, Tam Danh, Ba Du, and Hai Nu. This troupe embarked on tours across the southern, central, and northern regions of Vietnam.
A notable event in the troupe’s history was their participation in the Paris Colonial Exhibition in 1931, an occasion comparable to contemporary theater festivals. At this exhibition, the actress Nam Phi took on the leading role in the play Stück Xu An bang Quy Phi. Her performance earned her four medals and garnered widespread acclaim from audiences and over 40 French newspapers. Upon their return to Vietnam, the play was staged numerous times in various theaters, achieving significant financial success. In essence, between 1925 and 1945, a period of just 20 years, Mr. Nguyen Nguyen Nguong Cuong played a pivotal role in elevating Cai Luong to a respected position within the cultural landscape.Emergence of New Generation Actresses
Mr. Ngoc Cuong was married three times, with Nam Phi and Bay Nam being sisters.
The folk artist Bay Nam, sister to the celebrated actress Nam Phi, was equally gifted. At the age of 19,she established her own troupe,the Nam Hung group. For decades, she not only performed but also wrote scripts, managed the troupe, and supported her fellow artists, even through periods of war and instability.
The folk artist Kim Cuong, who grew up within this artistic environment, was also a highly skilled Cai Luong singer.At the age of 20, she founded her own theater company, where she excelled as an actress, screenwriter, and manager, ushering in a golden age for the theater. Her iconic roles,such as Miss Dieu in “The Durianblatt”,Mrs. Tu,the tea seller in “The rose on the shirt”,Bich and Be in “Among the two colors of the shirt”,and Tania in the play Tania,remain unforgettable in the hearts of audiences. Kim Cuong also appeared in dozens of films, showcasing her remarkable versatility. Sadly, she had no descendants to carry on her legacy in the performing arts.
