Home » News » Title: Taylor Swift’s ‘Showgirl’ Reclaims No. 1 on Australian Charts

Title: Taylor Swift’s ‘Showgirl’ Reclaims No. 1 on Australian Charts

by Emma Walker – News Editor

olivia Dean‌ Continues Reign Atop ARIA Albums ‌Chart as New Releases Face AI Scrutiny

sydney, Australia – Olivia Dean’s “Man I Need” maintains its​ commanding lead on the ARIA Albums ‍Chart for a third consecutive week, while a newly released‌ track⁢ by British producer HAVEN navigates a landscape increasingly sensitive too the use of artificial intelligence in music. The chart performance underscores Dean’s growing popularity in Australia following recent performances at the 2025 ARIA Awards and‌ a⁢ separate outdoor ​set at Fleet Steps, with a full tour⁣ scheduled⁤ for ⁤next year.

The ARIA charts reflect a dynamic music market grappling with both established artists and emerging talent. While Dean solidifies her position, the debut of HAVEN’s “I Run” at⁣ No. 9 highlights the ongoing ⁤debate surrounding AI-generated vocals, a controversy⁤ that previously led to the ‍song’s removal from several streaming platforms. This week’s⁢ chart also features new​ entries from Jemma ⁤Siles and Madonna, demonstrating the continued appeal of both rising​ stars and enduring​ icons.

Melbourne singer Jemma Siles’ debut EP, Scripts Of Fate, enters the ARIA Chart at No. 18. Madonna also secures a top 20 placement with Bedtime ​Stories – ⁤The ⁢Untold Chapter, a 30th-anniversary reissue of her⁢ R&B-influenced sixth album, appearing at No.20 with a collection of demos, alternate versions, and rarities.

Australian ​punk rock band Godspeed achieves a top⁢ 40 ⁢debut with These New South Whales, landing at No. 23.

HAVEN’s “I ‌run” initially gained traction in October, ‌reaching No. 8 before being removed from streaming⁢ services ‌amid allegations of AI-generated ⁢vocals. The current release features ‍vocals from⁢ british singer Kaitlin Aragon, resolving ‍those‌ concerns. Notably, “I ⁤Run” is the only new release to break into the top 50, which currently ​contains no Australian recordings.

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