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-title Lo Borges, Brazilian Music Icon, Passes Away at 73

Borges, Pioneering Brazilian​ Musician and ‘Clube da Esquina’⁤ Founder, Dies at 73

Belo Horizonte, Brazil – Lô Borges, a foundational figure in Brazilian popular music (MPB) and a key member‍ of the influential Clube da Esquina collective, has died at​ the age of 73. According to Folha‍ de S.Paulo,the​ musician had been hospitalized for a drug-related infection,and his ⁣family ​announced he “fought ​bravely for 17 days.”

Borges, born Salomão‌ Borges Filho in 1952 ‌in​ Belo ‌Horizonte, Minas ⁢Gerais, rose to prominence alongside his brother Márcio​ and a circle of musicians who frequented the corner of‍ Rua Divinópolis and Rua Paraisópolis ⁤in the Santa Tereza neighborhood. This “corner club” became a breeding ground for ⁣a unique sound blending MPB ⁣with⁤ jazz, psychedelic rock, and the baroque pop of The Beatles.

He is best known for his pivotal role ⁤in the creation of 1972’s clube ‌da Esquina,a landmark album alongside​ Milton Nascimento. Borges⁢ received writing credits on eight of⁤ the album’s 21 tracks, including “O Trem Azul,”‌ “Tudo que Você ​Podia Ser,” and “Paisagem da Janela,” ‌a song initially censored by federal authorities. The album⁢ became a cornerstone of Brazilian musical history, arriving during the country’s oppressive junta ⁤dictatorship.

That ⁣same year, Borges​ released‌ his self-titled solo debut, often referred to as the Tennis Disc. Though he briefly stepped back from recording in the 1970s, ⁢he continued to‍ contribute to music, appearing on Nascimento’s Clube da Esquina 2 (1978) and releasing his second solo‍ album, The ‍Milky Way (1979).He⁤ released four more albums in the 1980s and 1990s,‌ and experienced a late-career resurgence with⁣ “Two Rivers” in ⁣2003, a song he co-wrote for ‌the⁤ Brazilian‍ ska-punk⁤ band Skank. ​

Borges’s innovative compositions and contributions ⁤to MPB cemented his legacy⁣ as one of Brazil’s most critically ‌important and beloved musicians. as he sang in “Paisagem da janela,” “When I would speak of those morbid things/When ⁤I would speak⁤ of those sordid men…You didn’t listen/You don’t want to‌ believe/But​ that’s so normal.”

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