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Title: Giulio Base Revitalizes Torino Film Festival with Fresh Vision

Torino Film Festival Prioritizes Curated ‌Lineups, Landmark Pasolini Screening for 50th Anniversary

TURIN, ITALY – The Torino Film Festival is redefining the cinematic experience with a renewed focus on quality over quantity, spearheaded by artistic director Luca Barbareschi. Eschewing the sprawling lineups of some festivals, Barbareschi champions a streamlined program designed⁤ for focused engagement, featuring three competitive sections ‍- features, documentaries, and shorts⁤ – each showcasing 16 titles over⁣ an eight-day run.

This approach ⁣reflects a broader curatorial ideology ​emphasizing a deliberate and balanced program, allowing audiences to fully ‌immerse themselves in a carefully selected ⁣range of films. “I am not a fan‌ of overly elaborate or cluttered lineups,” Barbareschi explains. ⁤”Some festivals screen hundreds of films,and as a viewer,that can be overwhelming. I⁣ prefer quality over quantity…The program is clear, ​balanced, and easy to ⁣navigate.”

The festival’s signature ⁣Zibaldone program,named after Giacomo Leopardi’s “hodgepodge,” further exemplifies this ⁤eclectic‍ vision. Barbareschi, holding doctorates in literature, philosophy, and ⁤theology, utilizes Zibaldone to blend‌ restorations, tributes, special screenings, premieres, and works ⁤connected to the festival’s guests. this year’s edition includes a 24-title Paul Newman retrospective, screenings with Terry ⁢Gilliam (“Fear ⁢and Loathing ⁢in las Vegas”) and Alexander Sokurov (“Russian Ark”), and thematic programming.

A key‍ event will ‌mark ​the ⁢50th anniversary ⁢of ⁤Pier Paolo Pasolini’s controversial⁣ final ​film, “Salò, or the 120 Days of Sodom,” with a screening on November 22, ‍2025​ -⁢ exactly 50 years after ‍its⁤ initial public ​debut. ‍

Barbareschi views his role as akin to a film director, bringing a cohesive vision to the festival’s overall structure. He highlighted the symbolic⁢ importance of featuring both Russian honoree Alexander ‍Sokurov⁢ and Ukrainian jury ⁤member Sergei Loznitsa on stage at the opening ceremony, stating, ⁢”Cinema stands‍ against war.It stands for ​dialog, for peace, and⁢ yes, ‍for love.”

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