Ozon‘s “The Stranger” Reimagines Camus‘ Classicโ with Anti-Colonial Lens
Paris,France – November 5,2025 – Franรงois Ozon’s adaptation of Albert Camus’ โข”The stranger” premiered today in French-speaking cinemas,presenting a stark โblack and white reimagining of the existential novel set in 1938 Algiers. This marks Ozon’s fourth โฃadaptation of literary works since 1998, following “8 femmes,” โ”Sous le sable,” “Potiche,” and “Grรขce ร Dieu.”
the film adheres to the coreโฃ narrative: Meursault (Benjamin Voisin) receives news of his mother’s death via telegram,attends the funeral with apparent detachment,and later becomes involved in a relationship and โa fateful โฃencounterโฃ leading to a murder.The ensuing trial focuses not only on the act itself, but on Meursault’s perceived lack of grief.
Ozon immediately subverts the novel’s iconic opening, โreplacing “Today, mom is dead” with “I killed an Arab,” andโข concludes the film โฃwith the Cure’s “Killing โan Arab.” This choice, alongside a prologue featuring archival footage of Algiers and its French โcolonial context, underscores a intentional anti-colonialist interpretation.
The film employs a formal dryness and stylistic influence from Robert Bresson, utilizing a โฃchiseled black and white aesthetic. While Ozon occasionally incorporates voice-over readings โof key passages from Camus’ novel, he โคalso introduces moments of sensualization and didactic musical cues, diverging from Camus’โฃ emphasisโข on immanence.
despite challenges in fully โrevealing the worldโค to Meursault, the adaptation is lauded as a accomplished cinematic translation ofโ a โliterary masterpiece.
Starring Benjamin Voisin, Rebecca Marder, and Pierre Lottin, “Theโ Stranger” is now playingโ in French-speaking cinemas.
