singers

Before the formation of the Indigo band, you could have joined the then-famous group Modus, which would have meant professional security for you in the eighties. Why didn’t you accept the offer?

It was a big opportunity, yes. I even recorded a song with Modus, but in the end no one published it. The music was written by Janko Lehotský and the lyrics by Kamil Peteraj. That was the end of our cooperation.

Modus made a condition that I would not compose. But at that time I had already established myself with my own song Professor Indigo, it was my first hit. I’ve always been a singer-songwriter, so I said I wanted to compose. Bandleader Janko Lehotský didn’t like it, so producer Julo Kinček, who had a bed in the same room as me in the Military Art Ensemble in Bratislava, where I was in the military, said that we would try it together.

He knew the music business because he had been in it before. He also wrote about music. So we tried, even though many people told me I was crazy.

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How did you divide the work?

We did both. For some songs I wrote the music and lyrics, for others Julo composed the music and I wrote the lyrics. It was brave, but it worked. By the way, Miro Okáľ, with whom we founded Indigo in 1984, was also in the Military Art Ensemble. So the soldiers are to blame for everything.

How did the name of the band come about?

We had one of the first rehearsals and after that they went for bean soup. We ended up having red wine and I suggested to the others that our band should be called Indigo. At that time, my song Professor Indigo was already scoring in the charts.

There was a TV chart 5 times P and Professor Indigo was number one on it for five weeks. According to the rules, he had to leave the competition, but I could play another song instead. We chose You will never grow old with me and everything was repeated. The next one we sent to the competition was Love Is Here, then I Surrender to You and we still won.

How do you explain that your songs stuck with the audience at that time?

Today I feel it was because I came prepared. I also had many rejections, an experience that gave me strength. I remember how they rejected my song Last Time on the radio, which then became a hit.

I had a craft, and since my work was not accepted several times by those who decided what would be played, I worked even harder. I had great enthusiasm. When I recorded the song Last time, I was seventeen years old.

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Did you play at dance parties?

I didn’t go through that kind of school. But I know it’s a hard craft. Musicians who played at such events had to know about eighty songs. I knew twenty of them and more of my own or written for me. However, the band and I decided at the beginning that we would follow the path of the new wave, which was modern in our country at the beginning of the eighties.

At that time, we listened to recordings of the singer Nena, Depeche Mode, Duran Duran and others on Austrian radio. We dressed similar to them, we were extravagant, provocative, interesting for that time, but the first place for us was always music.

In 1985, you won the Golden Nightingale when you defeated Karel Gott in that poll thanks to the votes of the fans. What did Gott tell you then?

He was handing me the prize. When he was pinning on a badge with a nightingale made of a Czech garnet, he said to me: Peter, now you will have as many girls as you want.

It was extremely kind, Karel had a sense of humor. Some people claimed that it bothered him, but I think we had nothing to envy in our industry. Czechoslovak show business was and still is more show than business.

There were and still are few of us, everyone has their own audience. Gott knew this long before I won the Golden Nightingale poll.

Did you have as many girls as you wanted?

Yes. We were at a festival and the Slovak Tublatanka, which was formed a year before us, also played there. The singer and guitarist Maťo Ďurinda was standing next to me backstage, looking into the audience and said to me: It would be great if you could lend me a few girls who came to see you.

Tublatanka was still a metal band back then. Later, her style changed and she also became very interesting to girls. I think Maťo enjoyed them a lot too.

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What happened to your career after the Velvet Revolution?

We kept playing but it was quite dramatic as the flow of bids suddenly stopped. It was a time when critics thought that after the revolution we would have new singers and new bands in Czechoslovakia, and we musicians thought that we would have new critics. In the following years, however, we continued to walk side by side and got used to each other again.

However, memories in people cannot be erased. If you look at what’s playing on the radio today, old Czech and Slovak songs have returned and are loved even by people who weren’t around when they were created.

After the revolution, ecological themes also appeared in your texts…

One of my most ecological songs is called Aj tak sme still frejeri. It sings that we are old for fairy tales, but young for losses, and that the iron men’s sayings have rusted with a mysterious rust. That song was written during perestroika, in 1988. But, wonder at the world, it is still relevant today, in every election period. In Slovakia, it was the anthem of football, hockey and other athletes.

There are two compositions in my repertoire that are intrinsically related to ecology. One is called 50 Giraffes and the other is called A Weird Tale. I’m not a preacher, just pointing out. But it bothers me that people don’t realize that they have eaten the future. I am not interested in those who preach the truth about ecology and use plastic products to do so, or who fly by plane to speak at an environmental summit.

By the way, do you know where electric cars have exhaust? In nuclear power plants.

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You sang a number of duets. How did you choose your partners for them?

When Julo Kinček composed the music for the song Dogs defend themselves against attacks, I wrote the lyrics and he said he thought it should be a duet. At the time, Jožo Ráž from the group Elán had a cottage near my former house, and I immediately knew that he should sing the song with me. And he agreed.

That’s how all the duets were created. I approached friends or people who I thought would fit the song. I sent Petr Muk a few to choose from and he chose Nelietajú. It is such a reflection on what freedom is in a relationship. At the time, if I remember, he was just getting a divorce.

Years ago, I approached Meky Žbirka for the song Posledný krát, because she was influenced by his work and personality. I saw him as a teenager on TV on the Bratislava Lyra and he absolutely blew me away.

Duets for me are my personal success. I’m glad I could sing them with people I respect and they didn’t reject my idea.

You were talking about the song Dogs defend themselves from attacks. Should we translate it into Czech as dogs defend themselves from attacks, or do dogs defend themselves from attacks?

With this dilemma, I got to the matriculation questions in Slovakia. They asked what the author meant. It was a catch. Then they called me from Slovak Radio Expres and asked how it really is. And I answered that anyway. It’s a double entendre.

I published two photography books, I was a photographer at Czech Miss, I photographed for Playboy, I even won a tender for the cover of the annual issue of Playboy. I achieved decent success and learned that photography is a difficult craft. I broke up with him.

So it is much more convenient to write songs and thus bring people a good mood, good weather. I do that all the time.

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“Years ago, the guys approached me if I would like to sing the song Sen with them. I liked her right away, so we met in Bratislava for coffee and talked about everything. We found a musical harmony. The guys hit on a genre with that song that’s a little different from what I’m into, but I’m very comfortable with it. It was therefore not difficult to decide on further cooperation,” recalls Langerová.

“Of course, we knew Anet long before we met,” continues Korben Dallas vocalist and guitarist Juraj Benetin. “We watched where he was going in music, and it became closer and more sympathetic to us. We love that she goes her own way and the songs she composes and sings come from her deepest heart. In our opinion, this is not the rule on the Czech scene. Over time, we became convinced that there is a real person hidden in her work, and that when we meet her, we will understand each other. That gave us the courage to contact her.”

The meeting in Bratislava was the beginning of a joint artistic journey, which has so far brought eight songs and finally a tour. All songs are by Korben Dallas.

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“Right at the beginning, I told the guys that I would work with them, but I wouldn’t compose. They are able to write a song in a few hours, whereas it takes me much longer. Sure, I could have been involved in the creative process, but I didn’t need to, I didn’t feel like it. I only like to be a performer,” explains Langerová.

Korben Dallas, on the other hand, is extremely inspirational when meeting her. It even happened that once before she arrived home from a meeting in Bratislava, a new song by Korben Dallas came to her. In its final form, it was named Chladná.

“Yes, we are able to write a song quickly. In sports, it is said that the best performance comes when one is at match pace. We think it’s the same when composing. So we stay in the creative process, we release our own albums after about a year and a half and we compose constantly,” says bassist Lukáš Fila.

They had previously planned a joint concert tour, but it was canceled due to the pandemic. Therefore, they have only met once on stage so far.

“But it was more of a double concert. I was there with my band, the guys were on their own, and we put together a joint performance a few hours before him. We only connected on stage for a few songs, we didn’t play them all. But now we are going to go out as one body,” states Langerová.

Beginning? In Prague

Czech part tour will start on November 6 in Prague. It will continue a day later with a stop in Fléda in Brno and in Akorda in Ostrava on November 8. The Slovak part will start on November 12 in Košice, continue the day after in Žilina and end on November 14 in Bratislava.

“We are looking forward to finally playing the songs together live. We try to put together the most compact program possible,” says Fila.

“We will supplement the eight joint songs with compositions originally by Korben and originally by Anet. But we will interpret them together, they will have one face and a common aesthetic,” explains Benetin.

Further continuation of cooperation is planned. “Until now, when we finished one season, we looked forward to the next one. Now it’s the same. It may take some time, nothing is planned, but we know that our cooperation is not over,” concluded Benetin.

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