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Sentimental Value

Entertainment

ACE Eddie Awards 2026: Sinners, One Battle After Another, and Marty Supreme Lead Nominees

by Julia Evans – Entertainment Editor February 9, 2026
written by Julia Evans – Entertainment Editor

Okay, here’s a breakdown of the information provided, organized by category. This appears to be a list of nominees for an editing award (likely the ACE Eddie Awards, given the categories).

1.BEST EDITED DOCUMENTARY (THEATRICAL)

* “billy Joel: And So It Goes — “episode 1” – Kris Liem; James Pilott; Steven Ross
* “Mr.Scorsese — “All this Filming Isn’t Healthy” – David Bartner
* “Sean Combs: The Reckoning — “Official Girl” – Evan Wise; Charles Divak; Jeremy Siefer; jack Gravina; Benji Kast; adam Goldstein; Jonathan Miller
* “Pee-wee as Himself — “Part One” – Damian rodriguez
* “Part One” – Ed Greene

2. BEST EDITED MULTI-CAMERA COMEDY SERIES

* “Frasier” (“Murder Moast Finch”) – russell Griffin
* “Mid-Century Modern” (“Tee’d Off”) – Peter Chakos
* “The Upshaws” (“Love Thy Neighbour”) – Angel Gamboa Bryant

3. BEST EDITED SINGLE CAMERA COMEDY SERIES

* “The Bear” (“Bears”) – Joanna Naugle
* “The Chair Company” (“Life Goes by Too Fking Fast,It Really Does”) – Stacy Moon
*
“Hacks” (“I Love LA”) – Susan Vaill
*
“Only Murders in the Building” (“The House Always…”) – Shelly Westerman
*
“The Studio” (“The Promotion”) – Eric Kissack

4.BEST EDITED DRAMA SERIES

* “Andor” (“Who Are You?”) – Yan Miles
*
“The Pitt” (“6pm”) – Mark Strand
*
“Pluribus” (“We Is Us”) – Skip Macdonald
*
“Severance” (“chikhai Bardo”) – Keith Fraase
*
“Severance” (“Cold Harbor”) – Geoffrey Richman

5. BEST EDITED FEATURE FILM (“NON-THEATRICAL”)

* “The Gorge” – Frederic Thoraval
*
“Mountainhead” – Bill Henry; Mark Davies
*
“The Thursday Murder Club” – Dan Zimmerman
*
“A Winter’s Song” – Yvette M. Amirian

6.BEST EDITED LIMITED SERIES**

(The list is incomplete, the category title is present but no nominees are listed)

Let me know if you’d like me to do anything else with this information, such as:

* Identify potential frontrunners based on multiple nominations.
* Focus on a specific show or film.
* Search for more information about the nominees or their work.

February 9, 2026 0 comments
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World

Sinners Breaks Oscar Record with 16 Nominations

by Lucas Fernandez – World Editor January 30, 2026
written by Lucas Fernandez – World Editor

Okay, I’m ready to take on this challenge. please provide the “original⁣ article” you want‌ me to work with. I will meticulously follow all the instructions you’ve laid out –​ verifying claims, discarding errors, prioritizing ‌authoritative sources, citing naturally, ‍avoiding fictionalization, demonstrating expertise, and crafting a world-class, expanded article with a warm, human voice.

I understand the importance ⁤of depth, logical institution, and value-added sections.I’m prepared to ‍go beyond simple rewriting and deliver a substantially more insightful and extensive piece.

Just paste the original article here,and I’ll get started.

January 30, 2026 0 comments
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Entertainment

Sirât, Left-Handed Girl, Sentimental Value Win Top Awards at PSIFF 2024

by Julia Evans – Entertainment Editor January 13, 2026
written by Julia Evans – Entertainment Editor

The 37th Annual Palm Springs International Film Festival (PSIFF) announced its juried award winners today, with prizes going to Oscar contenders “Sirât,” “Left-Handed Girl,” and “Sentimental Value,” along with new films from Egypt, Slovakia, Austria, South Korea, and Peru. The festival continued its tradition of showcasing the best in international cinema, screening 44 of this year’s International Feature Film Oscar submissions as part of a lineup that included 178 films from 72 countries and territories.

The 44 Oscar contenders competed for the FIPRESCI Prize, which went to Oliver Laxe’s drama “Sirât.” The film resonated particularly well in Palm Springs as of its desert setting. As the jury stated, “Since Palm Springs is the ultimate film buff’s party in the desert where the mountains meet the sky, it’s only appropriate to award the FIPRESCI Prize to ‘Sirāt.’”

Egyptian director Sarah Goher won the FIPRESCI Prize for Best International First Feature Film for her debut,“Happy Birthday.” It’s a gentle but somber film that examines Egyptian class hierarchies through a child’s eyes – Doha Ramadan gives an extraordinary performance. Milan Ondrík took home the FIPRESCI Prize for Best Actor in an International Feature film for his poignant portrayal of a grieving parent in Tereza Nvotová’s Slovakian film “Father.”

Joachim Trier and eskil Vogt’s script for “Sentimental Value” received the FIPRESCI Prize for Best International Screenplay. The FIPRESCI Prize for Best Actress in an International Feature Film went to the ensemble cast of “Left-Handed Girl” – Nina-Ye, Shih-Yuan ma, and Janel Tsai – who were praised for their performances as three generations of Taiwanese women.

Suzannah herbert’s “Natchez” won best Documentary. The film studies the Antebellum tourism industry on the Mississippi River and was one of several documentaries this year grappling with history as something constantly evolving. richard Ladkani’s “Yanuni,” a portrait of Indigenous chief Juma Xipaia, received a Special Mention from the jury, highlighting a turbulent political context.

The festival’s New Voices New Visions Award, recognizing emerging filmmakers’ first or second feature, went to South Korean director Joonho Park for “3670,” a story about a gay North Korean defector navigating the complexities of coming out. Eva Libertad’s Spanish drama “Deaf,” about a deaf woman and her hearing partner preparing for parenthood, received a New Voices New Visions Special Mention.

Augusto Zegarra’s Peruvian film “Runa Simi” won the Ibero-American Award, presented to the best film from Latin America, Spain, or Portugal. It tells the tale of a father and son on a quest to dub Disney’s “The Lion King” into their native language as a political act. The timely thriller “It Would Be Night in Caracas” from Mexico and Venezuela, which sparked debate among audiences, received a Special Mention.

The Desert Views Award, for films promoting understanding and acceptance, was voted on by Palm Springs locals and given to “Beloved Tropic,” a moving drama from Panama directed by Ana Endara. It’s about the relationship between a pregnant immigrant and the woman she cares for – a high society woman with dementia.

High school students with a passion for cinema selected the Young Cineastes Award, which went to American director Paige Bethmann’s “Remaining Native,” a drama about a teenage cross-country runner retracing his grandfather’s escape route from an Indian boarding school.

The Palm springs International Film Festival ends tommorow with encore screenings of the award winners. Mark your calendars: Palm Springs ShortFest will return June 23-29.

January 13, 2026 0 comments
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Entertainment

Barack Obama reveals favorite films of 2025: Sinners, One Battle

by Julia Evans – Entertainment Editor December 19, 2025
written by Julia Evans – Entertainment Editor

.Here’s a clean, easy‑to‑read extraction of the contestant information that appears in the HTML you posted:

#Contestant (as shown in the caption/alt text)
65Don’t Let’s Go to the Dogs Tonight
66The Choral
67(the snippet cuts off before the name is displayed, so the title isn’t visible in the provided HTML)

What was extracted

  • The number is taken from the <span class="_contestantIndex_u2o28_1"> element (e.g., <p>65.</p>).
  • The contestant’s title/name is taken from the <figcaption> / <p> inside the image wrapper (e.g., <p>Don't Let's Go to the Dogs Tonight</p> or the alt attribute of the <img> tag).

If you have more of the HTML (especially the part that follows the “67.” entry) and would like the rest of the list extracted,just paste it in and I can continue the extraction for you.

December 19, 2025 0 comments
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Entertainment

Elle Fanning on Sentimental Value, Nightingale with Dakota, and Career Growth

by Julia Evans – Entertainment Editor December 13, 2025
written by Julia Evans – Entertainment Editor

Elle Fanning is now at the centre of a structural shift involving talent‑driven production and cross‑border⁤ studio collaboration. The⁢ immediate implication is‌ a re‑balancing of creative control and financing leverage toward high‑profile ⁤actors who can marshal multi‑market projects.

The Strategic‌ Context

Hollywood’s⁣ traditional studio‑centric model ​has been eroding over the past ‍decade as talent increasingly assumes producer roles,seeks ownership stakes,and aligns with international partners to access diversified financing and distribution channels. The rise of streaming platforms,⁢ the resurgence of European co‑productions, and the post‑pandemic‍ re‑configuration of global filming locations‌ have amplified this trend.Within this environment, actors who can bridge U.S. franchise​ work with auteur‑driven European cinema become valuable nodes‌ for studios seeking both ‌commercial appeal and critical prestige.

Core Analysis: Incentives & Constraints

Source Signals: The interview confirms ⁤that Elle Fanning⁢ is simultaneously starring in a Hollywood franchise (“Predator:⁢ Badlands”) and a european art‑drama (“Sentimental value”), that two studios coordinated to accommodate her schedule, and that she​ is launching a sister‑led production venture (“The Nightingale”) after pandemic delays. She emphasizes personal agency, the importance of saying “no,” and the desire to produce content with her sister Dakota.

WTN Interpretation: Fanning’s dual‑track strategy reflects a ⁤broader incentive for talent⁢ to diversify risk and maximize bargaining power. By proving‌ she can deliver in both blockbuster and prestige arenas, she creates leverage to negotiate⁣ profit participation, creative input, and production credits. The willingness of two studios to cooperate signals a structural ⁤shift toward flexible,talent‑centric deal‑making,reducing the past siloing of franchise and indie pipelines. Constraints include the limited number of high‑profile projects that can accommodate such schedules,the need to maintain marketable star power across ⁣divergent audiences,and the⁢ ongoing SAG‑AFTRA negotiations that could affect contract terms for producer‑actors. ⁢

WTN ​strategic Insight

“When a⁤ star can command⁤ both blockbuster budgets and auteur credibility, the industry’s power axis pivots from studio‑gatekeepers to talent‑gateways.”

Future Outlook: ⁢Scenario Paths & Key Indicators

Baseline Path: ⁢ If ‌studios continue to prioritize flexible ⁤talent contracts and co‑production ‍frameworks,we can expect a rise in hybrid projects that blend commercial scale with festival‑circuit appeal. Fanning’s production⁣ company will likely secure financing for “The Nightingale” and‌ similar sister‑driven ventures,reinforcing a model where ⁤star‑led⁣ entities act as mini‑studios.

Risk Path: If industry labor disputes intensify or if market fatigue sets in for cross‑border projects (e.g., ​due to currency ‌volatility or regulatory changes in key filming hubs), studios may retreat to more conventional, vertically integrated productions. This could limit the ability of talent‑driven producers to secure multi‑studio cooperation,forcing⁣ actors like Fanning to choose between franchise ⁣work and independent cinema.

  • Indicator 1: Declaration of financing deals for “The nightingale” or similar sister‑produced titles within the next 3‑4 months.
  • Indicator 2: Outcomes‍ of the upcoming SAG‑AFTRA contract negotiations,particularly clauses related to producer‑actor⁣ credits and profit⁤ participation.
December 13, 2025 0 comments
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